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The ocean of story, being C.H. Tawney's translation of Somadeva's ...

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APPENDIX II ROMANCE OF BETEL-CHEWING 251<br />

carved in the shape <strong>of</strong> animals one is a<br />

grotesque horse,<br />

another a peacock.<br />

Excellent illustrations <strong>of</strong> smaller specimens will be found<br />

on Plate XLVI, with descriptions on pages 336 and 337, <strong>of</strong><br />

Coomaraswamy's Mediceval Sinhalese Art <strong>The</strong> chief interest<br />

in this work, however, from our point <strong>of</strong> view, is the author's<br />

excellent description <strong>of</strong> the betel-bag (pp. 238-239). This<br />

article has now almost entirely given place to the box, but<br />

is <strong>of</strong> high antiquity, and has been found represented on<br />

4<br />

very early sculptures (see later, p. 254n ). Owing to the fact<br />

that Coomaraswamy's work was limited to 425 copies, and<br />

is consequently exceedingly rare, the following description<br />

<strong>of</strong> the betel-bag is given in full :<br />

" <strong>The</strong> betel-bags (Plates XXX-XXXIII) vary in size from<br />

small ones carried in the waist-belt to very large ones, four<br />

feet or more in length. <strong>The</strong> latter were carried by a servant<br />

in processions or on journeys, hung over the shoulder.<br />

Noblemen were never without an attendant carrying their<br />

betel-bags (pp. 33-34) and lime-box ; less important personages<br />

carried their own. <strong>The</strong> large bags are exactly the<br />

same in construction as the small ones a bag <strong>of</strong> oval shape<br />

made <strong>of</strong> blue cloth lined with undyed cotton cloth, which<br />

opens nearly half-way down the whole length at the sides ;<br />

the inner part is separated into two divisions. <strong>The</strong> inner<br />

division, again consisting <strong>of</strong> a double piece <strong>of</strong> cloth, is also<br />

'<br />

'<br />

used as a pocket, called hora payiya, hidden pocket<br />

has a very small opening at the upper end, through which<br />

spices, money and other valuables are put. Larger things<br />

are carried in the two outer pockets. <strong>The</strong> handle is made <strong>of</strong><br />

embroidered cloth, or <strong>of</strong> a band <strong>of</strong> plaited cord, and is finished<br />

<strong>of</strong>f at the end with a beautiful and ingeniously worked and<br />

very hard ball (vegediborale) and tassel (pohottuva). <strong>The</strong><br />

is embroidered on both sides in red and<br />

outside <strong>of</strong> the bag<br />

white cotton with conventional designs, sometimes very<br />

elaborately. Bags <strong>of</strong> later make are <strong>of</strong>ten done in red cloth,<br />

probably because the blue hand-made cloth could no longer<br />

be obtained some <strong>of</strong> these are ;<br />

equally good, the tradition<br />

both in design and stitches <strong>being</strong> for some time well maintained.<br />

Few or no good bags are now made, partly owing to<br />

the lack <strong>of</strong> proper materials. One <strong>of</strong> the most perfect small<br />

I have seen was <strong>of</strong> red hand-made cloth embroidered<br />

bags<br />

entirely with silk, the use <strong>of</strong> which is very exceptional. I<br />

have referred to the plaited cord <strong>of</strong> which the handles are<br />

;<br />

it

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