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The ocean of story, being C.H. Tawney's translation of Somadeva's ...

The ocean of story, being C.H. Tawney's translation of Somadeva's ...

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226 THE OCEAN OF STORY<br />

only in their latter aspect that the presence <strong>of</strong> the swan or<br />

goose finds an adequate explanation.<br />

Owing to the beauty <strong>of</strong> the Valkyries it is not surprising<br />

that, as time went on, they assumed the role <strong>of</strong> the Celtic<br />

"<br />

fairy," and were obviously the only <strong>being</strong>s capable <strong>of</strong><br />

playing the part <strong>of</strong> the swan-maiden to perfection<br />

when and<br />

where the motif first reached Scandinavia. But, quite apart<br />

from their " fairy " aspect, it is <strong>of</strong> the utmost importance<br />

to notice that whenever they assume the form <strong>of</strong> animals<br />

the swan is always the form chosen. This at once points<br />

back to the roots <strong>of</strong> the Valkyrie myth <strong>being</strong> embodied in<br />

the Alaisiages. Every imaginable animal figures in the<br />

numerous variants <strong>of</strong> the " Swan-Maiden " motif, but the<br />

Valkyries always "revert to type." This fact is significant,<br />

and has been duly noted by Krappe, 1 who further points out<br />

that there is also another pro<strong>of</strong> that the Valkyries were swans<br />

even before they became the heroines <strong>of</strong> the <strong>story</strong>-complex<br />

<strong>of</strong> the fairy wife deserting her husband namely, that in<br />

quite a number <strong>of</strong> tales the Valkyries appear in the shape<br />

<strong>of</strong> swans, whilst they desert their husbands in only one, the<br />

Volundarkvitha.<br />

<strong>The</strong> point I am anxious to make here is simply this :<br />

nowhere among the early primitive beliefs <strong>of</strong> Europe are<br />

there to be found the roots <strong>of</strong> the "Swan-Maiden" motif.<br />

In Teutonic mythology and primitive custom the swan has<br />

played an important part, largely symbolical, from the<br />

earliest times. Here the swan-maiden found a hearty welcome.<br />

In classical countries, although the swan enters into<br />

many legends, the swan-maiden found herself already largely<br />

forestalled by the nereids and other fairylike <strong>being</strong>s.<br />

We will now return to the East and glance briefly at the<br />

migration routes <strong>of</strong> the motif as far as we can, and see if they<br />

point to India as a central starting-place or not. We have<br />

already seen that Sanskrit literature is the earliest source<br />

<strong>of</strong> the incidents which go to make the complete motif. If,<br />

therefore, the lines <strong>of</strong> migration radiate from India, the evidence<br />

that India is really the home <strong>of</strong> the swan-maiden will<br />

be doubly strengthened.<br />

In order to understand more clearly the value <strong>of</strong> this<br />

geographical inquiry, readers should have before them a map<br />

<strong>of</strong> the world, and, if possible, a copy <strong>of</strong> Holmstrom's work,<br />

1<br />

Op. cit. f p. 67.

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