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Educational Psychology—Limitations and Possibilities

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Providing a Warrant for Constructivist Practice 483<br />

into a narrow <strong>and</strong> predictable range. We effectively eliminate the possibility for a diverse range<br />

of responses, <strong>and</strong> for unusual or creative responses. Furthermore, when I expect students to limit<br />

what they learn to what I already know (or is provided as part of my design), I am treating them<br />

as an extension of my own cognition. This is an essentially oppressive activity. For learners,<br />

following another’s prescription puts that person at the center of their cognitive activity, they<br />

follow that person’s trajectory, not their own. You allow yourself to be used as a trivial machine.<br />

Every person needs to feel at the center of their own cognition. Finally, when I predetermine<br />

what my student may learn <strong>and</strong> further limit it to what is already known, I deny my charges the<br />

opportunity to make a valuable contribution to a community of importance to them. If I pretend<br />

that my prescriptions are the correct, or best, way of engaging a domain of knowledge I discourage<br />

learners from taking multiple perspectives on a given way of knowing. Those behaviors that we<br />

say we cherish most in learners: responsibility, creativity, <strong>and</strong> a critical stance are possible only<br />

when learners find themselves at the center of their own cognition.<br />

Proscription as an Alternative<br />

Proscription has a different logic than prescription. Prescription puts us in a place where what<br />

is not allowed is forbidden, proscription a place where what is not forbidden is allowed. One can<br />

argue, for example, that the viability of the U.S. constitution depends on its proscriptive logic.<br />

What is not specifically proscribed by law is permissible, <strong>and</strong> rights not specifically granted to the<br />

federal government belong to states or to individuals. In addition, the making of certain kinds of<br />

laws is expressly forbidden. If we consider what makes two cultures distinct, it is obvious that they<br />

offer their members different life experiences. We cannot know what we do not experience. We<br />

are enculturated through the proscription of certain experiences. While no culture can prescribe<br />

that all its members have a given set of experiences, cultures can establish taboos or experiences<br />

that are not allowed, or, even more effectively, cultures can simply ignore the possibility of certain<br />

experiences. Issues related to values are central to a proscriptive logic.<br />

While design by telling people what not to do seem unpalatable, it is less constraining than<br />

prescription which tells people what to do. When I prescribe a series of steps for someone else to<br />

follow, I am proscribing an unknown set of alternatives. There is no mechanism for questioning<br />

what I have proscribed. When I set constraints by proscribing certain steps, I am providing<br />

guidance, but not determining how a goal may be reached. By naming what is proscribed, I<br />

am making the proscribed visible <strong>and</strong> open to question. What would otherwise be invisible<br />

may be critically analyzed. Proscription does not define a correct route to attainment of some<br />

goal, making the discovery of new alternatives possible, so learners in such an environment are<br />

constantly challenged to be creative.<br />

Proscription can be seen as a humanistic alternative to prescription, because it determines<br />

what will not happen rather than what will happen, thereby allowing for diversity in practice.<br />

Proscription also seems to be a component of the process of creativity: Creative artists take account<br />

of the constraints of a given situation, often turning those constraints to their advantage. Within<br />

the enactive framework the concept of creativity is brought into the foreground: context <strong>and</strong><br />

common sense are the essence of creative cognition. Common sense is defined as an individual’s<br />

bodily <strong>and</strong> social history <strong>and</strong> this context provides the constraints imposed in a given situation.<br />

What matters is to maintain a history of effective action even while the obstacles or constraints<br />

that one encounters change.<br />

Learners as Designers<br />

It seems impractical to expect prescription to totally disappear. Novice members of communities<br />

of shared underst<strong>and</strong>ing will continue to rely upon the instructions of more expert members

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