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Educational Psychology—Limitations and Possibilities

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880 The Praeger H<strong>and</strong>book of Education <strong>and</strong> Psychology<br />

research bricolage. A complex science is grounded on this multilogicality. One of the reasons we<br />

use the term complex is that the more we underst<strong>and</strong> about the world, the more complex it appears<br />

to be. In this recognition of complexity we begin to see multiple causations <strong>and</strong> the possibility of<br />

differing vantage points from which to view a phenomenon. It is extremely important to note at<br />

this juncture that the context from which one observes an entity shapes what he or she sees. The<br />

set of assumptions or the system of meaning making the observer consciously or unconsciously<br />

employs shapes the observation.<br />

This assertion is not some esoteric, academic point—it shapes social analysis, political perspectives,<br />

curriculum development, teaching <strong>and</strong> learning, <strong>and</strong> the field of educational psychology.<br />

Acting upon this underst<strong>and</strong>ing, postformalists underst<strong>and</strong> that scholarly observations hold more<br />

within them to be analyzed than first impressions sometime reveal. In this sense different frames<br />

of reference produce multiple interpretations <strong>and</strong> multiple realities. The mundane, the everyday,<br />

<strong>and</strong> the psychological dimension are multiplex <strong>and</strong> continuously unfolding—while this is taking<br />

place, human interpretation is simultaneously constructing <strong>and</strong> reconstructing the meaning<br />

of what we observe. A multilogical educational psychology promotes a spatial distancing from<br />

reality that allows an observer diverse frames of reference.<br />

The distancing may range from the extremely distant like astronauts looking at the earth from<br />

the moon, to the extremely close like Georgia O’Keeffe viewing a flower. At the same time, a<br />

multilogical scholar values the intimacy of an emotional connectedness that allows empathetic<br />

passion to draw knower <strong>and</strong> known together. In the multiplex, complex postformal view of<br />

reality, Western linearity often gives way to simultaneity, as texts become a kaleidoscope of<br />

images filled with signs, symbols, <strong>and</strong> signifiers to be decoded <strong>and</strong> interpreted. William Carlos<br />

Williams illustrated an underst<strong>and</strong>ing of such complexity in the early twentieth century as he<br />

depicted multiple, simultaneous images <strong>and</strong> frames of reference in his poetry. Williams attempted<br />

to poetically interpret Marcel Duchamp’s “Nude Descending a Staircase,” with its simultaneous,<br />

overlapping representations serving as a model for what postformalists call a cubist cognition.<br />

Teachers <strong>and</strong> scholars informed by critical multiculturalism’s multilogicality underst<strong>and</strong> these<br />

concepts. Such educators work to extend their students’ cognitive abilities, as they create situations<br />

where students come to view the world <strong>and</strong> disciplinary knowledge from as many frames of<br />

reference as possible. In a sense the single photograph of Cartesian thinking is replaced by<br />

the multiple angles of the holographic photograph. Energized by this cubist cognition, teachers<br />

informed by postformalism <strong>and</strong> a critical multiculturalism come to underst<strong>and</strong> that the models<br />

of teaching they have been taught, the definitions of inquiry with which they have been supplied,<br />

the angle from which they have been instructed to view intelligence, <strong>and</strong> the modes of learning<br />

that shape what they perceive to be sophisticated thinking all reflect a particular vantage point in<br />

the web of reality. They seek more than one perspective—they seek multilogical insights.<br />

Like reality itself, schools <strong>and</strong> classrooms are complex matrices of interactions, codes, <strong>and</strong><br />

signifiers in which both students <strong>and</strong> teachers are interlaced. Just as a complex <strong>and</strong> critical<br />

multiculturalism asserts that there is no single, privileged way to see the world, there is no one<br />

way of representing the world artistically, no one way of teaching science, no one way of writing<br />

history. Once teachers escape the entrapment of the positivist guardians of Western tradition <strong>and</strong><br />

their monocultural, one-truth way of seeing, they come to value <strong>and</strong> thus pursue new frames of<br />

reference in regard to their students, classrooms, <strong>and</strong> workplaces. In this cognitivist cubist spirit,<br />

critical multiculturalist teachers begin to look at lessons from the perspectives of individuals from<br />

different race, class, gender, <strong>and</strong> sexual orientations. They study the perspectives their African<br />

American, Latino, white, poor, <strong>and</strong> wealthy students bring to their classrooms. They are dedicated<br />

to the search for new perspectives.<br />

Drawing upon this postformal multilogicality in this cognitive <strong>and</strong> pedagogical pursuit,<br />

these educators, like liberation theologians in Latin America, make no apology for seeking the

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