Reflections on the Human Condition - Api-fellowships.org
Reflections on the Human Condition - Api-fellowships.org
Reflections on the Human Condition - Api-fellowships.org
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More recently, a new interest in local cultures has<br />
facilitated a paradigm shift in <strong>the</strong> thinking about Thai<br />
Sou<strong>the</strong>rners, from a negative image of being people<br />
without culture—that is, people who lack “Thai culture”<br />
to a positive image of people with local cultures to be<br />
“discovered”.<br />
It is worth noting that <strong>the</strong> impetus for cultural tourism<br />
in Phuket is coming not from <strong>the</strong> tourism trade or<br />
<strong>the</strong> expatriate populati<strong>on</strong> but from <strong>the</strong> Phuket locals<br />
<strong>the</strong>mselves. Educated Phuket Baba who had travelled<br />
abroad began to appreciate <strong>the</strong>ir own culture anew and<br />
thought of promoting <strong>the</strong>ir culture to <strong>the</strong> readymade<br />
tourist market.<br />
The late Khun Pracha Tandavanitj, custodian of <strong>the</strong><br />
Pithak Chinpraca House, is a pi<strong>on</strong>eer of cultural<br />
tourism. He started showing his house in <strong>the</strong> 1980s and<br />
has kept it open daily since about 10 years ago. He said<br />
he got <strong>the</strong> idea after visiting historic houses in Britain.<br />
“Phuket culture is unique”, he thought, “If<br />
Chiangmai can attract tourists with its local cultures,<br />
why not Phuket?”<br />
In c<strong>on</strong>trast to <strong>the</strong> standard representati<strong>on</strong>s of Phuket<br />
by <strong>the</strong> tourism industry, <strong>the</strong> Phuket Baba wants<br />
to promote Thalang Road as <strong>the</strong> heart of <strong>the</strong> “Real<br />
Phuket”; meaning <strong>the</strong> Baba culture of <strong>the</strong> tin-mining<br />
days, although <strong>the</strong> definiti<strong>on</strong> can be more socially<br />
inclusive if need be.<br />
For <strong>the</strong>m, cultural tourism is not just an ec<strong>on</strong>omic<br />
strategy to sustain cultural revival, but also a means to<br />
re-stage <strong>the</strong> Baba identity and project it to a larger<br />
audience, including <strong>the</strong> younger Phuket Baba, foreign<br />
tourists, expatriates, o<strong>the</strong>r Thais and <strong>the</strong> powers-that-be<br />
in Bangkok.<br />
CONCLUSION<br />
In relati<strong>on</strong> to <strong>the</strong> focus of most current studies related<br />
to Thai Chinese and Thai Muslims, Phuket society is<br />
atypical. The Hokkien Baba are minorities am<strong>on</strong>g <strong>the</strong><br />
predominantly Teochew Thai Chinese, whereas <strong>the</strong><br />
Thai-speaking Muslims are marginal am<strong>on</strong>g <strong>the</strong><br />
Malay-speaking Muslims, who are <strong>the</strong> main interpreters<br />
of <strong>the</strong> religi<strong>on</strong>. Both groups feel more solidarity with<br />
o<strong>the</strong>r Sou<strong>the</strong>rners than with Bangkok, and this is also<br />
reflected in <strong>the</strong> tendency for Sou<strong>the</strong>rners, whe<strong>the</strong>r<br />
Muslim or Buddhist, to vote Democrat over Thai Rak<br />
Thai.<br />
Identity is not just cultural but also political as it<br />
translates into group identity, bel<strong>on</strong>ging, ownership,<br />
HERITAGE, IDENTITY, CHANGE AND CONFLICT<br />
entitlements, territory and legitimacy. In order to survive<br />
<strong>the</strong> cultural hegem<strong>on</strong>y of <strong>the</strong> nati<strong>on</strong>-state, <strong>the</strong> Thai<br />
Chinese and Thai Malay-Muslims have resiliently exerted<br />
<strong>the</strong>ir cultural identity within a safe political space, which<br />
shrinks and expands according to central policies. In <strong>the</strong> case<br />
of Phuket, <strong>the</strong> limits of social discourse are increasingly<br />
stretched to accommodate tourism, and <strong>the</strong> new<br />
champi<strong>on</strong>s of culture and ethnicity also take advantage<br />
of <strong>the</strong> liberalized space to articulate <strong>the</strong>ir identities, in<br />
<strong>the</strong> name of cultural diversity.<br />
In <strong>the</strong> latest developments, crisis has produced<br />
opportunity. In <strong>the</strong> age of cultural tourism, <strong>the</strong> Thai<br />
Muslims and Phuket Baba are now valued c<strong>on</strong>tributors<br />
to <strong>the</strong> ec<strong>on</strong>omic recovery of Phuket. Fur<strong>the</strong>rmore, <strong>the</strong><br />
c<strong>on</strong>flict in <strong>the</strong> South has enhanced <strong>the</strong> Phuket Muslims’<br />
positi<strong>on</strong> as an ally for <strong>the</strong> Democrat government.<br />
Phuket locals, who have for <strong>the</strong> last two or three decades<br />
participated in <strong>the</strong> business of re-imagining Phuket for<br />
<strong>the</strong> farang [Westerner], now want to re-imagine Phuket<br />
in a way which is meaningful for <strong>the</strong>mselves. Since most<br />
tourists come for beaches and Pat<strong>on</strong>g nightlife, cultural<br />
tourism like eco-tourism will at most be a niche<br />
market within <strong>the</strong> Phuket tourism industry, but it may<br />
be enough to sustain cultural revival and support cultural<br />
empowerment. Opportunities for cultural staging help<br />
community groups to streng<strong>the</strong>n group identity, build<br />
networks, and emerge as dynamic players in <strong>the</strong> cultural<br />
tourism industry.<br />
While tourism offers ec<strong>on</strong>omic resources and impetus<br />
for cultural revival, it can also lead to commercializati<strong>on</strong>.<br />
What is presented to tourists may be lacking “au<strong>the</strong>nticity”,<br />
facetious or downright false. Yet, it is precisely <strong>the</strong><br />
unexacting domain of made-for-tourism narratives as<br />
opposed to that of carefully presented state narratives<br />
that alternative interpretati<strong>on</strong>s, ranging from serious<br />
historical re-examinati<strong>on</strong>s to cultural fantasies, are allowed<br />
to flourish.<br />
At <strong>the</strong> grassroots level, communities and cultural groups<br />
tend to react to social change and globalizati<strong>on</strong> in two<br />
ways. The first is by intensifying ethnicity, or reethnificati<strong>on</strong>,<br />
facilitated by <strong>the</strong> media, travel<br />
and internet technology. This is often experienced<br />
subjectively as a discovery of <strong>on</strong>e’s identity, origins, and<br />
roots. The sec<strong>on</strong>d is by intensifying religious practice;<br />
<strong>the</strong> popular trend towards Islamizati<strong>on</strong> and <strong>the</strong><br />
flourishing of <strong>the</strong> Nine Emperor Gods festival are two<br />
manifestati<strong>on</strong>s. Both are ways to affirm <strong>on</strong>e’s place as a<br />
part of a larger social grouping.<br />
The arbitrariness of <strong>the</strong> Thai-Malaysian border,<br />
Ref lecti<strong>on</strong>s <strong>on</strong> <strong>the</strong> <strong>Human</strong> C<strong>on</strong>diti<strong>on</strong>: Change, C<strong>on</strong>flict and Modernity<br />
The Work of <strong>the</strong> 2004/2005 API Fellows<br />
35