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Musica che affronta il silenzio - Scritti su Toru Takemitsu - Pavia ...

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Music Facing Up to S<strong>il</strong>ence. Writings on Tru Takemit<strong>su</strong><br />

Kreidy, Ziad (2009), Takemit<strong>su</strong>: À l’écoute de l’inaudible, L’Harmattan, Paris.<br />

Lieberman, Fredric (2002), ‘“Design of my mind”: An Interview with Tru Takemit<strong>su</strong>’,<br />

in A way a Lone: Writings on Tru Takemit<strong>su</strong>, ed. by de Ferranti, Hugh – Narazaki,<br />

Yoko, Academia Music, Tokyo: 227-232.<br />

Mat<strong>su</strong>daira, Yorit<strong>su</strong>ne (1997), ‘Neue Musik in Japan’, in Im Zenit der Moderne: Die<br />

Internationale Ferienkurse für neue Musik Darmstadt 1946-1966, hrsg. von Borio,<br />

Gianmario – Danuser, Hermann, Rombach Verlag, Freiburg i.B., vol. 3: 218-225.<br />

Miyamoto, Kenjiro (1996), Klang im Osten, Klang im Westen: Der Komponist Tru<br />

Takemit<strong>su</strong> und die Rezeption europäis<strong>che</strong>r Musik in Japan, Pfau, Saarbrücken.<br />

Moroi, Makoto (1961), ‘Electronic Music’, in Music – East and West, Executive<br />

Committee for 1961 Tokyo East-West Music Encounter, Tokyo: 130-133.<br />

Nono, Luigi (2001), ‘Colloquio con <strong>Toru</strong> Takemit<strong>su</strong>’, in <strong>Scritti</strong> e colloqui, a c. di De<br />

Benedictis, Angela I. – Rizzardi, Veniero, Ricordi LIM, M<strong>il</strong>ano, vol. 1: 434-445.<br />

Ohtake, Noriko (1993), Creative Sources for the Music of Tru Takemit<strong>su</strong>, Scolar Press,<br />

Aldershot.<br />

Reynolds, Roger Takemit<strong>su</strong>, Tru (1996), ‘Rogers Reynolds and <strong>Toru</strong> Takemit<strong>su</strong>: A<br />

Conversation’, <strong>Musica</strong>l Quarterly, 80/1: 61-76.<br />

Shlomowitz, Matthew (2002), ‘The Place of Messiaen in Takemit<strong>su</strong>’s Music:<br />

Reflection on “Quatrain II”’, in A Way a Lone: Writings on Tru Takemit<strong>su</strong>, ed. by<br />

de Ferranti, Hugh – Narazaki, Tokyo, Academia Music, Yoko: 177-191.<br />

Takemit<strong>su</strong>, Tru (1987), Yume to Kazu, Libroport, Tokyo.<br />

––––– (1988), [Note on Program] Tw<strong>il</strong>l By Tw<strong>il</strong>ight, Schott Japan booklet (1058).<br />

––––– (1989a), ‘Contemporary Music in Japan (1988)’, Perspectives of New Music,<br />

27/2: 198-204.<br />

––––– (1989b), ‘Afterword: Tru Takemit<strong>su</strong> with Tania Cronin and H<strong>il</strong>ary Tann’,<br />

Perspectives of New Music, 27/2: 206-214.<br />

––––– (1995a), ‘A Personal Approach (1971)’, in Confronting S<strong>il</strong>ence: Selected Writings,<br />

Fallen Leaf Press, Berkeley: 79-82.<br />

––––– (1995b), ‘The Passing of Nono, Feldman, and Messiaen’, in Confronting S<strong>il</strong>ence:<br />

Selected Writings, Fallen Leaf Press, Berkeley: 139-141.<br />

––––– (1995c), ‘John Cage, the Elegant Revolutionary’, in Confronting S<strong>il</strong>ence: Selected<br />

Writings, Fallen Leaf Press, Berkeley: 137-138.<br />

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