Musica che affronta il silenzio - Scritti su Toru Takemitsu - Pavia ...

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Music Facing Up to Silence. Writings on Tru Takemitsu Novielli, Maria R. (2001), Storia del cinema giapponese, Marsilio, Venezia. Ondaatje, Michel (2002), The Conversations: Walter Murch and the Art of Editing Film, Bloomsbury, London. Ostria, Vincent (1998), ‘Il reale a pezzi ovvero l’essenza del cinematografo’, in Il caso e la necessità: Il cinema di Robert Bresson, a c. di Spagnoletti, Giovanni – Toffetti, Sergio, Lindau, Torino: 83-88. Pasolini, Pier P. (1988), ‘The Cinema of Poetry’, in Heretical Empiricism, Indiana University Press, Bloomington and Indianapolis: 167-186. Plenizio, Gianfranco (2006), Musica per film: Profilo di un mestiere, Guida, Napoli. Poirier, Alain (1996), Tru Takemitsu, Michel de Maule, Paris. Prieberg, Fred K. (1960), Musica ex machina: Über Verhältnis von Musik und Technik, Ullstein, Berlin. Quaglietti Lorenzo (1968), article without title, Cinema 60: Mensile di cultura cinematografica, 9/69: 75. Raison, Bertrand (1985), Le livre de Ran, Cahiers du Cinéma, Seuil. Reider, Noriko T. (2001), ‘The Emergence of “Kaidan-shu”: The Collection of Tales of the Strange and Mysterious in the Edo Period’, Asian Folklore Studies, 60/1: 79-99. Reynolds, Roger (1987), ‘Rarely Sudden, Never Abrupt’, Musical Times, 128: 480-483. Richie, Donald (1997), The Film Music of Toru Takemitsu, London Sinfonietta, dir. Adams, John, CD booklet, Nonesuch (79404-2). Saada, Nicolas (1994), ‘Entre l’Orient et l’Occident’, Cahiers du Cinéma, 478: 12. Schaeffer, Pierre (1954), ‘Les nouvelles techniques sonores et le cinéma’, Cahiers du Cinèma, 7/37: 54-56. Shimazu, Takehito (1994), ‘The History of Electronic and Computer Music in Japan: Significant Composers and Their Works’, Leonardo Music Journal, 4: 102-106. Shinoda, Masahiro (1996), ‘Über Takemitsu und seine Klang-Welt’, in Traum Fenster Garten. Die Film-Musiken von Takemitsu Tru, hrgs. von Volkmer, Klaus, KinoKonTexte, München: 53-64. Steffen, James (2009), ‘Kwaidan’, Turner Classic Movies [January 2010], [online] Stempel, Daniel (1948), ‘Lafcadio Hearn: Interpreter of Japan’, American Literature, 20/1: 1-19. 199
200 Roberto Calabretto Takemitsu, Tru (1994), ‘Il dramma dell’impermanenza’, in Japanesque, a c. di Narahara, Ikko, Motta, Milano: 5-7. ––––– (1995), ‘Conversation on Seeing’, in Confronting Silence: Selected Writings, Fallen Leaf Press, Berkeley: 36-45. ––––– (1996), ‘Film Music: The Importance of Pruning Sound’, in The Power of Silence: The Film Music of Tru Takemitsu, Themareeks Filmmuseum, 32: 35-36. Tassone, Aldo (1991), Akira Kurosawa, La Nuova Italia, Firenze. Tessier, Max (1985), ‘Entretien avec Toru Takemitsu’, Revue du Cinéma, 408: 73. ––––– (1998a), ‘Toru Takemitsu, un architecte du son’, Positif, 451: 96-97 ––––– (1998b), ‘Entretien: Toru Takemitsu’, Positif, 451: 98-100. ––––– (2008), Storia del cinema giapponese, Lindau, Torino. Tucker, Richard N. (1973), Japan Film Image, Studio Vista, London. Visschedijk, Ruud – Wolf, René (1996), The Power of Silence: The Film Music of Tru Takemitsu, Themareeks Filmmuseum, 32. Zanzotto, Andrea (1999), Le poesie e le prose scelte, Mondadori, Milano. Video recordings Zwerin, Charlotte (1994), Music for the Movies: Toru Takemitsu, DVD, Sony BMG, 58 min.
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Musica che affronta il silenzio Scr
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Università degli Studi di Pavia Mu
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Sommario Prefazione Luciana Pestalo
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Prefazione Alcuni compositori, in t
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Convergenze tra Occidente e Oriente
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Musica che affronta il silenzio. Sc
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20 Luciana Galliano assolutamente g
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22 Luciana Galliano dispiegamento d
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24 Luciana Galliano e delle discuss
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26 Luciana Galliano Bibliografia Be
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Tru Takemitsu come mediatore cultur
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Quanto giapponese è stato Takemits
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Natura e arte del silenzio in Tru T
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La musica per film di Takemitsu Rob
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Music Facing Up to Silence. Writing
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106 Luciana Pestalozza The study da
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108 Gianmario Borio 2. the reciproc
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110 Gianmario Borio structural aspe
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112 Gianmario Borio exclusively on
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114 Gianmario Borio Borio, Gianmari
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Tru Takemitsu’s Aesthetic and Com
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128 Mitsuko Ono They refer to the c
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130 Figure 1. At the Jasper Johns e
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134 Figure 7. With the clarinet pla
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136 Mitsuko Ono four years of age.
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142 Mitsuko Ono taught that Japan w
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144 Peter Burt But how did his Fren
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146 Peter Burt Western and Japanese
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Musica che affronta il silenzio - Scritti su Toru Takemitsu - Pavia ...

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