Musica che affronta il silenzio - Scritti su Toru Takemitsu - Pavia ...

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Musica che affronta il silenzio. Scritti su Tru Takemitsu nel proprio orizzonte musicale come espressione dialettica di differenti concetti di identità. Perché è nelle pieghe delle differenze che si intrecciano i legami e le unità più profondi, a dispetto di omologazioni e uguaglianze che – tanto in campo artistico, quanto umano – forse c’è da sperare restino pura utopia ed ‘effetti indesiderati’: «Sempre più Oriente e Occidente sono visti come entità equivalenti. Purtroppo non siamo ancora arrivati a quel punto: rimangono ancora differenze molto spiccate» (Takemitsu 1989a, p. 199). Bibliografia Bekku, Sadao (1961), The Composer in Japan, in Music – East and West, Executive Committee for 1961 Tokyo East-West Music Encounter, Tokyo, pp. 91-98. Borio, Gianmario – Danuser, Hermann (hrsg. von) (1997), Im Zenit der Moderne. Die Internationale Ferienkurse für neue Musik Darmstadt 1946-1966, Rombach Verlag, Freiburg i.B., 4 voll. Burt, Peter (2003), La musica di Tru Takemitsu, Ricordi, Milano. De Benedictis, Angela I. – Rizzardi, Veniero (a c. di) (2000), Nuova musica alla radio. Esperienze allo Studio di Fonologia della RAI di Milano 1954-1959, Cidim-RAI, Roma. Feldman, Morton (1985), Darmstadt-Lecture [1984], in Essays, Beginner Press, Köln, pp. 181-213. Galliano, Luciana (2002), The Roaring Epoch. Works of the 1950s-1960s, in A Way a Lone. Writings on Tru Takemitsu, ed. by de Ferranti, Hugh – Narazaki, Yoko, Academia Music, Tokyo, pp. 20-41. Hirashima, Masao (1961), The Composer in Japan Today, in Music – East and West, Executive Committee for 1961 Tokyo East-West Music Encounter, Tokyo, pp. 99-106. Konuma, Jun-ichi (1999), Takemitsu Tru. Oto, Kotoba, Imji [Suono, parola, immagine], Seid-sha, Tky. Kreidy, Ziad (2009), Takemitsu: À l’écoute de l’inaudible, L’Harmattan, Paris. Lieberman, Fredric (2002), «Design of my mind». An Interview with Tru Takemitsu, in A way a Lone. Writings on Tru Takemitsu, ed. by de Ferranti, Hugh – Narazaki, Yoko, Academia Music, Tokyo, pp. 227-232. Matsudaira, Yoritsune (1997), Neue Musik in Japan, in Im Zenit der Moderne. Die Internationale Ferienkurse für neue Musik Darmstadt 1946-1966, hrsg. von Borio, Gianmario – Danuser, Hermann, Rombach Verlag, Freiburg i.B., vol. 3, pp. 218-225. 75
76 Angela Ida De Benedictis Miyamoto, Kenjiro (1996), Klang im Osten, Klang im Westen. Der Komponist Tru Takemitsu und die Rezeption europäischer Musik in Japan, Pfau, Saarbrücken. Moroi, Makoto (1961), Electronic Music, in Music – East and West, Executive Committee for 1961 Tokyo East-West Music Encounter, Tokyo, pp. 130-133. Nono, Luigi (2001), Colloquio con Toru Takemitsu, in Scritti e colloqui, a c. di De Benedictis, Angela I. – Rizzardi, Veniero, Ricordi LIM, Milano, vol. 1, pp. 434-445. Ohtake, Noriko (1993), Creative Sources for the Music of Tru Takemitsu, Scolar Press, Aldershot. Reynolds, Roger Takemitsu, Tru (1996), Rogers Reynolds and Toru Takemitsu: A Conversation, «Musical Quarterly», 80/1, pp. 61-76. Shlomowitz, Matthew (2002), The Place of Messiaen in Takemitsu’s Music. Reflection on «Quatrain II», in A Way a Lone. Writings on Tru Takemitsu, ed. by de Ferranti, Hugh – Narazaki, Yoko, Academia Music, Tokyo, pp. 177-191. Takemitsu, Tru (1987), Yume to Kazu, Libroport, Tokyo. ––––– (1988), [Note on Program] Twill by Twilight, opuscolo Schott Japan (1058). ––––– (1989a), Contemporary Music in Japan (1988), «Perspectives of New Music», 27/2, pp. 198-204. ––––– (1989b), Afterword. Tru Takemitsu with Tania Cronin and Hilary Tann, «Perspectives of New Music», 27/2, pp. 206-214. ––––– (1995a), A Personal Approach (1971), in Confronting Silence. Selected Writings, Fallen Leaf Press, Berkeley, pp. 79-82. ––––– (1995b), The Passing of Nono, Feldman, and Messiaen, in Confronting Silence. Selected Writings, Fallen Leaf Press, Berkeley, pp. 139-141. ––––– (1995c), John Cage, the Elegant Revolutionary, in Confronting Silence. Selected Writings, Fallen Leaf Press, Berkeley, pp. 137-138. ––––– (1995d), John Cage, in Confronting Silence. Selected Writings, Fallen Leaf Press, Berkeley, pp. 27-31. Takemitsu, Tru Xenakis, Iannis (1988), A Boundary in Music?, «Polyphone», 2, pp. 138-148. Toop, Richard (2002), Takemitsu and the Avant-garde, in A Way a Lone. Writings on Tru Takemitsu, ed. by de Ferranti, Hugh – Narazaki, Yoko, Academia Music, Tokyo, pp. 2-8.
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Musica che affronta il silenzio Scr
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Università degli Studi di Pavia Mu
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Sommario Prefazione Luciana Pestalo
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Prefazione Alcuni compositori, in t
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Convergenze tra Occidente e Oriente
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Musica che affronta il silenzio. Sc
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144 Peter Burt But how did his Fren
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146 Peter Burt Western and Japanese
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148 Peter Burt ‘in no wise someth
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150 Peter Burt ----- (1989), ‘Aft
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178 As Takehito Shimazu recalls: Ro
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200 Roberto Calabretto Takemitsu, T
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Musica che affronta il silenzio - Scritti su Toru Takemitsu - Pavia ...

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