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CHAPTER 2<br />

PHONEMES<br />

In this chapter, I present evidence for <strong>the</strong> consonant <strong>and</strong> vowel phonemes <strong>of</strong><br />

Mono. These are discussed in Sections 2.1 <strong>and</strong> 2.2, respectively. In addition, I discuss <strong>the</strong><br />

distribution <strong>of</strong> consonants <strong>and</strong> vowels in <strong>the</strong> syllable <strong>and</strong> word in Section 2.3. Tone<br />

contrasts will be presented in Chapter 3.<br />

In identifying phonemes, I rely on data which can fit into <strong>the</strong> CV syllable<br />

pattern—<strong>the</strong> only unambiguous syllable pattern in Mono containing an onset. Syllables<br />

containing <strong>the</strong> secondary articulations <strong>of</strong> labialization <strong>and</strong> palatalization present a special<br />

problem <strong>of</strong> interpretation <strong>and</strong> will be discussed in Chapter 4. The syllable patterns which<br />

occur in Mono, including ones which are ambiguous in <strong>the</strong>ir interpretation, will be<br />

discussed in Chapter 5.<br />

The main tool I use for demonstrating <strong>the</strong> distinctiveness <strong>of</strong> phonemes is <strong>the</strong> well-<br />

known methodology developed by <strong>the</strong> structuralists <strong>of</strong> identifying contrast in identical or<br />

analogous environments (cf., e.g., Pike 1947).<br />

In choosing lexical items for demonstrating contrast, I use <strong>the</strong> following criteria.<br />

First, I have used citation forms exclusively, with one addition: I also employ verb roots<br />

without <strong>the</strong> infinitive prefix as evidence for word-initial contrasts. Since <strong>the</strong> tonal<br />

property <strong>of</strong> <strong>the</strong> first syllable <strong>of</strong> verb roots varies depending on <strong>the</strong> tense, aspect, <strong>and</strong><br />

mood <strong>of</strong> <strong>the</strong> verb, I present <strong>the</strong>m here without tone markings. Second, I only employ<br />

multimorphemic forms as evidence for contrast when monomorphemic forms are not<br />

attested. Third, I have tried to avoid employing forms which exhibit phonological<br />

variation unless o<strong>the</strong>r forms are not attested. This includes unpredictable variation, e.g.<br />

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