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Jaume Solà i Pujols - Departament de Filologia Catalana ...

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(136) a. Où (dis-tu qu') est allé Jean?<br />

Where (say-you that) is gone J.<br />

'Where do you say John went'<br />

b. La personne avec qui (je crois que) viendra Jean<br />

The person with who (I believe that) will-come J.<br />

'The person with whom I think that Jean will come'<br />

c. J'espère que vienne Jean<br />

I-hope that come-SUBJ J.<br />

'I hope Jean will come'<br />

There is a general agreement that it is essentially of the same nature as subject inversion<br />

in Romance NSLs (see Kayne & Pollock (1978) for an initial characterization). If French is a<br />

non-NSL, I-subjects should be, according to the present theory, [+anaphoric]. There is a fact,<br />

however, that looks consistent with the present approach: when there is stylistic inversion, no<br />

preverbal subject is present. Standard accounts would say that only null expletives licence<br />

subject inversion. In our alternative theory not involving null expletives in subject inversion we<br />

should say that in French Stylistic inversion, since there is no preverbal subject, there is no<br />

bin<strong>de</strong>r for the I-subject and therefore it can be and has to be [-anaphoric].<br />

One aspect of stylistic inversion which is not easy to <strong>de</strong>al with is the characterization of<br />

the contexts allowing it. It is triggered by Wh-movement and subjunctive mood. Concerning the<br />

former, one cannot say it is licenced by a [+Wh] COMP, because it can be licenced in the clause<br />

where the Wh- has been extracted from even if this clause is not [+Wh] itself (see 0.a/.b) with the<br />

parenthetical part).<br />

One way of characterizing the licensing contexts in a unitary way is the following.<br />

Suppose we assume that stylistic inversion is licenced whenever the clause involving it is non-<br />

assertive. Clauses containing a Wh-gap are non-assertive, and so are clauses in subjunctive<br />

mood. How could we relate this to (stylistic) subject inversion?<br />

1

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