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„‚ CONDITIONS THAT HINDER EFFECTIVE COMMUNICATION

„‚ CONDITIONS THAT HINDER EFFECTIVE COMMUNICATION

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openness to right-brain hemisphere (Ornstein, 1978) functioning, this dimension<br />

is also termed “divergent” or “lateral” thinking (DeBono, 1970; Hudson, 1970).<br />

■ Feeling Group Maintenance: empathy with others’ feelings, leading to an<br />

emphasis on human relationships when communicating about how things get<br />

done.<br />

■ Doing/Task Orientation (Jung’s knowing by experiencing/sensing): a tendency to<br />

sense reality by doing and to emphasize practicality in communicating about that<br />

reality.<br />

These continua are illustrated in Figure 1.<br />

Figure 1. Dimensions of Relating to Events<br />

Use of the Styles<br />

Suppose you had a television set with four channels on which you could regularly get<br />

programs. Suppose, further, that reception was excellent on the first channel, good on<br />

the second, mediocre on the third, and poor on the fourth. In time, you would probably<br />

find yourself using the first and second channels and avoiding the third and especially<br />

the fourth. People’s use of the four modes of relating to, and communicating about,<br />

reality is somewhat similar.<br />

You have a mix of all four styles 1 . There is your “strong-suit” style, which you use<br />

easily and skillfully, and your “back-up” style, which you use fairly easily and skillfully.<br />

Then there is generally a style that you use only with effort and rather clumsily. Finally<br />

there is a style that always gives you trouble, that does not “work” when you have to use<br />

it. Generally you are fairly conscious of your use of your stronger styles, but you often<br />

put the weaker ones out of mind. You tend not to dwell on how little you practice them<br />

or how much you avoid having to use them. As does everyone else, you tend to have<br />

blind spots—not being aware of how much you overuse your strongsuit style and<br />

underuse your weakest one.<br />

1<br />

See Parr (1979) for a self-inventory to determine one’s own style mix.<br />

82 ❘❚<br />

The Pfeiffer Library Volume 6, 2nd Edition. Copyright © 1998 Jossey-Bass/Pfeiffer

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