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John James Marshall thesis.pdf - OpenAIR @ RGU - Robert Gordon ...

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These practitioners represent a spectrum of practices from across disciplines<br />

and from a wide range of approaches to their use of computer-based design and<br />

fabrication technologies. This includes both emerging practitioners and wellestablished,<br />

exemplary practitioners. At the time of the survey 49 16 of them<br />

(28%) had had previous contact with the researcher. 16 (28%) had no direct<br />

previous contact with the researcher but had participated in the artist-led<br />

international survey shows from the contextual review (see section 2.3). The<br />

remaining 25 practitioners (44%) were selected from the group of crossdisciplinary<br />

exemplary practitioners from the contextual review. Of those<br />

approached 29 (50.9%) responded. However, 2 practitioners (3.5%) responded<br />

by typing random letters into the response fields (spoiled). The total number of<br />

responses was therefore 27 (47.4%) of those contacted. 7 practitioners (12.3%)<br />

of those invited to contribute to the survey later participated in the ‘Perimeters,<br />

Boundaries and Borders’ exhibition. 4 (7%) of these responded to the survey.<br />

At the time they responded to the survey this exhibition had not yet been<br />

announced.<br />

An objective of this survey was to establish a baseline of contemporary practice<br />

against which to frame the context for the wider study. It was expected that<br />

through this means the researcher might gain an opportunity to probe critical<br />

language and criteria developed within the field of practice. Coding this data<br />

was accomplished both electronically and by hand on printed versions of the<br />

survey responses. Categories and patterns were identified and the frequency<br />

with which these arose was recorded.<br />

3.4 Development of a curatorial framework<br />

The researcher developed a curatorial framework for a themed exhibition<br />

exploring hybrid art and design practice using computer-based design and<br />

fabrication tools. The objective for this exhibition was to be the identification of<br />

new modes of action and enquiry capable of shaping and qualifying the<br />

direction that artists, designers and architects are taking with computer-based<br />

technologies. The exhibition was to contain a mixture of existing works<br />

(selected from an open call process) and new works (from practitioners selected<br />

and invited to participate by the curatorial team in response to the curatorial<br />

49 27/02/06 – 24/03/06.<br />

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