28.10.2014 Views

John James Marshall thesis.pdf - OpenAIR @ RGU - Robert Gordon ...

John James Marshall thesis.pdf - OpenAIR @ RGU - Robert Gordon ...

John James Marshall thesis.pdf - OpenAIR @ RGU - Robert Gordon ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

General Motors to begin developing its first CAD/CAM system DAC-1 (Design<br />

Augmented by Computer).<br />

Figure 3: ‘NURBS’ (non-uniform, rational Bézier-splines) are mathematical<br />

models commonly used in computer graphics for generating and representing<br />

curves and surfaces<br />

2.2.2 1960s<br />

In 1960 William Fetter at Boeing coined the term ‘computer graphics’ for his<br />

human factors cockpit drawings. The first interactive graphics system<br />

(‘Sketchpad: A Man-Machine Graphical Communication System’) was invented<br />

by Ian Sutherland at MIT 1961-63 (Time-Life Books, 1986). Already in the early<br />

1960s with computing and digital manufacturing in their infancy these<br />

technologies were co-opted for creative purposes. The first two exhibitions of<br />

computer art (at the Wise Gallery in New York and at Hochschule für Technik in<br />

Stuttgart, Germany, both in 1965) were organised by scientists (Carlson,<br />

undated). The following year Experiments in Art and Technology (E.A.T.) was<br />

founded by engineers Billy Klüver and Fred Waldhauer and artists <strong>Robert</strong><br />

Rauschenberg and <strong>Robert</strong> Whitman in New York (Klüver, 2000). The same<br />

year the Center for Advanced Visual Studies was founded by Gyorgy Kepes at<br />

MIT (Center for Advanced Visual Studies, 2007).<br />

In 1968 Charles Csuri created the sculpture 'Ridges Over Time' on a three-axis,<br />

continuous path, numerically controlled milling machine (ACM Siggraph, 1996).<br />

The instructions for this were generated from punched tape. Also in 1968 came<br />

one of the most referenced exhibitions in the history of art and computing.<br />

‘Cybernetic Serendipity: The Computer and the Arts’ was curated by Jasia<br />

Reichardt at the Institute of Contemporary Arts, London (Reichardt, 2005).<br />

However, within the scope of this study another exhibition of that year should<br />

- 22 -

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!