John James Marshall thesis.pdf - OpenAIR @ RGU - Robert Gordon ...

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Keith Brown: It is just such a shame it is such expensive stuff – well it is getting cheaper but not quite affordable enough to do that. Lionel T. Dean: It is getting a lot cheaper the printing systems are getting a lot cheaper – I remember when you couldn’t afford a desktop system – it is going to happen very quickly. Keith Brown: Thanks. Tavs Jørgensen: I’ve got a question for Human Beans again is there an element of some information is best forgotten? [laughs] Some of the recipes could carry a health warning. Another thing – I can’t remember who said it – the most important ability of the human brain is the ability to forget otherwise we would be scrambled. Is there some of this information – the recipes – that is best left to the past? In the information age we have so much information we are trying to record everything – we are recording this today – some of the information is best forgotten. Mickael Charbonnel: Yes, I suppose your question goes two ways. We had discussions with these Grandmas and they had other recipes and some of them I wouldn’t have tried [laughs] and sometimes some of them are very unhealthy. So yes, those are probably best forgotten. I think the second thing is about information and how much we can submit ourselves to. It is a matter of choice really and this is exactly what is happening. I don’t see my Grandmother that often and I don’t really miss it but I know that when I spend some time with her I do connect with something and I do enjoy it. Now whether I will remember that recipe or not, that we cooked together is a different thing. But if you take the recipes as almost a pretext then you have a good reason for taking on this information. Paul Rodgers: I think what is great if you look at Gordon Ramsay that is in these programmes like “Hell’s Kitchen” and you get these people that put themselves up against him – like your Granny’s scone recipe… Chris Vanstone: He wouldn’t stand a chance against Jackie [laughs]. - 371 -
Paul Rodgers: Well, he wouldn’t. I would imagine that Sonia’s Lancashire Hot Pot would beat his. It is a bit sad that people will go and do Ramsay's Hot Pot as opposed to someone who is more aptly – it has been passed down and down and down – and got roots in real Lancashire Hot Pot as opposed to ‘virtual Ramsay’… Chris Vanstone: Then it’s about amateurism, I guess. It probably is as good if you think it is as good as Gordon Ramsay. I guess Gordon is putting it against the best Hot Pot ever but that is not what everybody wants – the best ever. They want something that tastes like how they like. From the floor: It’s about nostalgia. People on the Ramsay programme do not taste “is it good food?” They are tasting “does it taste like what I know Shepherd’s Pie tastes like?” Mickael Charbonnel: It is quite funny because when you start looking at – we did about six Grandmas already and when you have been watching it you realise that actually they do it in their own way and even the traditional Lancashire Hot Pot – although Sonia tried to make it in the most traditional way she could it still is her own way to do it. So I don’t chop onions like that but fifty years ago they probably didn’t chop onions like that either and I have no idea how they would because I’m not from here anyway so I’ve never seen it. So, nostalgia goes out the window I’ve got no links with that. Maybe the only element is that I miss my Grandma from when I was a kid. John Marshall: I think that is a really good metaphor for something that is running throughout all the presentations. A lot of people have been saying “I’m not an expert, or I haven’t invented this technology – I’m not a NASA scientist” and almost apologising for that. I think you are all using technology – as Aoife said, not for technology’s sake but in order to reach some other end and you all have your own ‘recipes’. Mickael Charbonnel: More as an enabling thing and it doesn’t really matter what the technology will be as long as there is a good ground for something to happen. - 372 -
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OpenAIR@RGU The Open Access Institu
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Table of contents Table of contents
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Table of tables Table 1: Bruce Ster
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Image credits Figure 4: ‘Ridges O
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Keywords ART, DESIGN, DIGITAL, HYBR
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1.0 Introduction This research is c
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Since 2002, the researcher has also
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The specific research questions to
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helping practitioners from many are
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synthetic or pluralist perspective
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Figure 1: A simple model of the com
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General Motors to begin developing
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introduction of feature-based param
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In 2005 the exhibition ‘Blobjects
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art. The theme of the exhibition wa
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technologies and not necessarily th
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executed by various technologies an
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purposely exploit computer-based te
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“…so much for automating tasks
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embodied in traditional craft pract
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Obviously it is necessary to look b
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The computer is being used as a too
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the proliferation of ‘responsive
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Figure 11: ‘Amazing Whale Jaw’,
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Figure 14: ‘SLS® Dress’, 2005.
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with sensors which were activated b
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These designer-makers are exploring
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ackground, providing just another p
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Type of object Description Requirem
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2.7 Ontologies of production: 21 st
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design and fabrication facilities,
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“Unfortunately, the ability to ma
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information about these on their we
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have now are the needs other users
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As the use of computer-based design
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cross-disciplinary problem solving
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hybridization of cultural categorie
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“Boundary objects are both plasti
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association with function (Fairs, 2
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“…excludes the mind (the exclus
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causing a loss of this ‘aura’.
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“…the creative act is not perfo
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Figure 22: ‘The Treason of Images
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these have often served the covert
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highly developed collaborative skil
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plastic arts. However, media theori
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explores the work of artists 39 act
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elationships for hybrid art and des
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to reimagine the cultural role of d
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knobs, materials and mechanisms - i
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From the contextual review we can s
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used by architects (and others) as
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3.0 Methodology This study fits wit
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the data: survey results, interview
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used for objects of differing scale
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These practitioners represent a spe
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team each selected their top six 50
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to survey existing works, explore f
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their experience and perceptions re
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digital voice recorder. Each partne
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There are many existing technology
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Survival Mastery Impact The introdu
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negative terms to their positives (
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work. The review indicated a need f
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service Preview Trend Direction 56
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(Image Source 58 ). An indication o
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The instance of Rashid’s ‘Garbo
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Figure 30: ‘D-tower’, 2004. Lar
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software to interpolate a curve thr
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industrial context. Most of the obj
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Figure 36: ‘Geo’, 2005. Keith B
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distinctions based on the means by
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Figure 41: ‘Sketch Furniture’,
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Category Image Result Title Holy Gh
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elationship is indicated and given
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Figure 44: Database categories in t
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Manglano-Ovalle’s ‘Cloud Protot
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Figure 46: Increasing ‘complexity
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21. Janne Kyttanen & Jiri Evenhuis
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Q3. When you see the term ‘3D com
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Q5. When did you first make use of
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Impact References New formal possib
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Relationship Response Percent Respo
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Figure 47: A map of exemplary pract
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The researcher continued developing
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were informed the Manchester Digita
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links to the community, educational
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Figure 50: A rendering of the glaze
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This exhibition will bring emerging
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able to participate and Driessens &
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We received forty-six submissions b
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4.5 A public exhibition and symposi
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27/06/2006 Additional practitioners
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Figure 52: ‘Holy Ghost’, 2006.
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Figure 54: ‘What’s Cooking Gran
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The architects initially proposed t
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and in newsletters and on blogs. Th
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Figure 60: ‘Light Sensitive Disk
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Some visitors to the exhibition see
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Figure 65: ‘Penrose Strapping 1
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The texts have titles such as ‘A
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Open Call 9. ‘Warp’ by London-b
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These were decided based on the con
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How would you rate the quality of i
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1. Where did you see the call for P
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4. What did you expect to get out o
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6. Was there someone you expected t
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9. Were you happy with the way your
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These practitioners considered that
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15. How would you sum up the core t
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The inverse of the previous questio
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20. Have you received any new oppor
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23. Has being in the exhibition had
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27. What formal training have you h
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30. What (for you) is the key benef
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32. What is most important to you t
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34. What does the term ‘3D comput
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practice was contingent on the cont
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39. Do you think there is a trend t
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hybrid disciplines. Also 1 (17%) pr
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(4%) strongly disagreed with this s
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the exhibition ‘felt a bit steril
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The Exhibition (expectations) The r
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Programme Manager I am pleased that
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The partners were asked what kind o
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Programme Manager We weren’t tryi
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13. What would you do differently i
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15. In your opinion, what was the w
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18. How would you sum up the core t
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The Exhibition (aftermath) The rese
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23. What feedback from funders did
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Programme Manager I’m not really
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Programme Manager I know that we ha
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Date What Where Who Communities 28/
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4.5.8 Summary of public exhibition
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etween them. Professor Krauss respo
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The conjunction of ‘product desig
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art is a form of media art that int
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Practitioner Title Category Type of
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5.0 Discussion This thesis has exam
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much part of the discourse of ‘di
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From the responses received slightl
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5.5 A public exhibition and symposi
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now faced in the design-related fie
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the exhibition primarily as a means
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Four visitors indicated the diversi
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model rather than the service provi
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interest around the field of enquir
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technologies into their practice an
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6.0 Conclusions This study came abo
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the form of surveys and interviews
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From To Reference Expensive Technol
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increased capacity for a transdisci
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6.5 Outcomes This research project
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underpin computer-based or hybrid p
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Selective Laser Sintering (SLS®) 1
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8.0 References 3D SYSTEMS, 2007. 3D
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BEAMAN, J., 1997. The early roots o
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COLES, A., 2005a. DesignArt. London
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EVIL MAD SCIENTIST LABORATORIES, 20
Page 321 and 322: GRAHAM, B., 2005. Taxonomies of new
Page 323 and 324: JENKINS, I., 2003. Art for art's sa
Page 325 and 326: LUPTON, E., 1998. Design and produc
Page 327 and 328: MILLER, D., ed. 1998. Material cult
Page 329 and 330: RENDELL, J. 2006. Art and Architect
Page 331 and 332: STORKERSON, P., 1997. Defining desi
Page 333 and 334: 9.0 Appendix I: Transcript of sympo
Page 335 and 336: interdisciplinary design practice.
Page 337 and 338: viewed as a bridge between technolo
Page 339 and 340: John this morning through the show
Page 341 and 342: the detriment of the latter. As tut
Page 343 and 344: mainly used in the animation indust
Page 345 and 346: uses the physical nature of the gla
Page 347 and 348: avoiding using a pen and paper soun
Page 349 and 350: they sit in a specific location alw
Page 351 and 352: cut the day before that has been sc
Page 353 and 354: Pass at the end of August for ten d
Page 355 and 356: what functional use they might be t
Page 357 and 358: of ornament and the fact that a lot
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Page 361 and 362: prototyping. Materialise started of
Page 363 and 364: off with twenty two. I think that c
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Page 369 and 370: www.whatscookinggrandma.net MC: It
Page 371: and it wasn’t quite the same thin
Page 375 and 376: sort of urban scape art projects. I
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Page 379 and 380: about the make up of the cloth that
Page 381 and 382: From the floor: I'm just wondering
Page 383 and 384: well. So it’s not just changing t
Page 385 and 386: 10.0 Appendix II: Practitioner 1 in
Page 387 and 388: 12. In your opinion, what was the w
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Page 397 and 398: It had a nice feeling about it. I d
Page 399 and 400: 29. How have computer technologies
Page 401 and 402: I’ve just started to define mysel
Page 403 and 404: 12.0 Appendix IV: Practitioner 3 in
Page 405 and 406: 14. Did you think the exhibition wa
Page 407 and 408: 26. When did you first make use of
Page 409 and 410: 13.0 Appendix V: Practitioner 4 int
Page 411 and 412: smaller things like lamps as well a
Page 413 and 414: I suppose diversity within each pra
Page 415 and 416: 24. Would you be interested in bein
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Page 419 and 420: It’s a very central role and it
Page 421 and 422: 5. Who did you expect to be in the
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Especially the windows as well. You
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It’s pretty strong to my heart, b
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28. How would you describe how you
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how it’ll trace, leaving a trace
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36. In terms of discipline where do
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15.0 Appendix VII: Practitioner 6 i
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18. Many visitors to the exhibition
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It could mean a variety of things,
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16.0 Appendix VIII: Creative Direct
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I think it was an interesting role,
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10. Did the exhibition live up to y
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which was Ben’s work which for me
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that should be in London. So there
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Obviously all of the artists that w
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Yes, actually one of the things tha
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key element of that. It’s not jus
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original proposal which felt like a
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I think that we were very fortunate
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15. In your opinion, what was the w
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things could have felt quite differ
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potential energy that could be crea
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28. Has being involved in PBB had a
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Of course and we did extend an invi
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