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John James Marshall thesis.pdf - OpenAIR @ RGU - Robert Gordon ...

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The second term made use of by practitioners that indicates increased<br />

conceptual and technical skill applied to the innovative use of computer-based<br />

design and fabrication technologies is ‘sophistication’. This was unpacked to<br />

result in three subcategories of distinction. The first of these assigns a value to<br />

the stage in the production cycle (Production Stage - see Table 8) of the objects<br />

within which the use of digital design and fabrication tools are integrated into<br />

the process. The scope of this category applies to the technological aspects of<br />

the conception or design of the objects, the production or fabrication of the<br />

objects and the consumption or reception of the objects by users or an audience.<br />

The researcher has chosen to add more value for each stage that computerbased<br />

technologies are applied within.<br />

Production Stage<br />

Value<br />

Conception 1<br />

Production 1<br />

Consumption 1<br />

Conception & Production 2<br />

Production & Consumption 2<br />

Conception & Consumption 2<br />

Conception & Production &<br />

3<br />

Consumption<br />

Table 8: The stage in the production cycle within which the use of digital design<br />

and fabrication tools are integrated into the process<br />

Since this study is concerned with objects produced by computer-based design<br />

and fabrication technologies, most objects fall into the ‘Conception &<br />

Production’ category by definition. There are exceptions. For example, ‘Dtower’<br />

(Figure 30) a public art piece by architect Lars Spuybroek and artist Q. S.<br />

Serafijn that was commissioned by the city of Doetinchem in the Netherlands.<br />

This work maps and displays the emotions of the local community by changing<br />

colour in response to surveys conducted of fifty local residents on the internet.<br />

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