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John James Marshall thesis.pdf - OpenAIR @ RGU - Robert Gordon ...

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written by researchers at the CBA. Gershenfeld predicts that Fab Lab prices will<br />

follow the path of PCs. With volume production and increased demand the cost<br />

of these high-tech do-it-yourself systems could fall dramatically.<br />

These Fab Labs grew out of an MIT course called ‘How to Make (almost)<br />

Anything’ in 1998. Gershenfeld was astonished when ten students showed up<br />

for every available place in the class.<br />

"…they were motivated by the desire to make things they'd always<br />

wanted, but that didn't exist." (Gershenfeld, 2005 p.6)<br />

These students had skill sets that were more suited to arts and crafts than<br />

advanced engineering - which was not a disadvantage. Gershenfeld states the<br />

learning process for these students was driven by the demand for knowledge<br />

rather than the usual model which is driven by the supply of knowledge. What<br />

is important to realise from this is the students were single-handedly designing<br />

and building complex systems. This is distinct from an industrial setting where<br />

tasks are distributed over teams of specialists who collectively conceive, design,<br />

and produce a product. Furthermore, once these students had mastered a new<br />

process, they would show others how to use it. In this way, new skills were<br />

introduced through project-led learning and this knowledge was disseminated<br />

from peer to peer.<br />

“This process can be thought of as a "just-in-time" educational model,<br />

teaching on demand, rather than the more traditional "just-in-case"<br />

model that covers a curriculum fixed in advance in the hopes that it will<br />

include something that will later be useful.” (Gershenfeld, 2005, p.7)<br />

Gershenfeld claims that through these classes, the participating students were<br />

inventing a new ‘physical notion of literacy’ that was much wider in scope than<br />

the usual understanding of just reading and writing. Gershenfeld points out<br />

that ‘making’ has been considered an 'illiberal art' since the Renaissance. He<br />

reminds us the seven liberal arts (referring to the liberation brought through<br />

their study) are composed of the quadrivium (geometry, arithmetic, astronomy,<br />

music) and the trivium (grammar, logic, rhetoric).<br />

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