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John James Marshall thesis.pdf - OpenAIR @ RGU - Robert Gordon ...

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finished that was necessary because I was using some of the cheaper 3D printing<br />

processes. So to get the exhibition quality I had to use hand work but really<br />

then the whole model falls down if the idea is the designer sets up the template<br />

then manufactures straight from the computer. If you then take them back and<br />

do a whole lot of hand work on them the whole model falls down. So that had to<br />

be avoided. Then with the raised profile of the project and the backing that that<br />

brought it was possible to use some of the more exotic processes and so went<br />

into SLS® Nylon and you can see in the close-up there the texture that is<br />

coming through from the rapid prototyping. Which in lighting is a very<br />

beautiful finish but not quite so applicable when you see it in an object like a<br />

chair. That is a close-up of Entropia again you can see the striations the lines<br />

from the process. And that is where I am at the moment.<br />

9.6 Human Beans<br />

Human Beans create provocative concepts. They make fictional products by<br />

hacking commercial culture and design new services by working with real<br />

people. Their work is disseminated through spam, media, shop shelves and<br />

exhibitions. Human Beans is a collaboration between advertising creative and<br />

designer Mickael Charbonnel and design strategist Chris Vanstone. Their work<br />

was recently included in the HearWear exhibition at the V&A, London and Safe:<br />

Design Takes On Risk at MoMA, New York.<br />

Human Beans<br />

http://www.humanbeans.net<br />

CV: We are Human Beans. I’m Chris…<br />

MC: I’m Mickael<br />

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