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John James Marshall thesis.pdf - OpenAIR @ RGU - Robert Gordon ...

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Figure 52: ‘Holy Ghost’, 2006. FutureFactories<br />

Commission 1. ‘Holy Ghost’ (2006) by Lincolnshire-based FutureFactories 87<br />

explores notions of metamorphosis, symbiosis and parasitism. In this work<br />

Lionel T. Dean continues the FutureFactories 88 theme of organic growth with a<br />

design that is in a constant state of evolution. The back and arms of an iconic<br />

chair (Louis Ghost designed by Philippe Starck and produced by Kartell) have<br />

been replaced to create a new reading of both an everyday object and an iconic<br />

object of desire. Dean has developed these new forms algorithmically and<br />

output two ‘hard copies’ of the design using SLS® technology. In the exhibition<br />

alongside this pair of chairs was a suspended Perspex screen onto which the<br />

rule-based, parametric metamorphosis of the chair design was rear-projected<br />

(life-sized and happening in real-time).<br />

Figure 53: ‘Holy Ghost’ (left) and ‘Holy Ghost Sketch’ (right), 2006.<br />

FutureFactories<br />

This work was the subject of the largest amount of negotiation between Fast-uk<br />

and folly. This was the one work in the exhibition that Fast-uk was committed<br />

to having and that folly was not convinced by. The rough sketch (Figure 53,<br />

87 http://www.futurefactories.com<br />

88 FutureFactories is a digital manufacturing concept for the mass individualisation of products. Dean is Designer in<br />

Residence at Huddersfield University.<br />

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