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John James Marshall thesis.pdf - OpenAIR @ RGU - Robert Gordon ...

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12. What could have been done better?<br />

Creative I still think that the choice of venue meant that it was quite<br />

Director hard for people to go in… I think there really was a barrier<br />

with that and with the reception and with the whole notion<br />

of it being in an office space… I think that what we did with<br />

the space ultimately was really successful. I felt that in the<br />

middle of the show that there was a bit of a lull. That really<br />

open, large space in the middle could have had more impact<br />

and powerfully used I felt that that bit kind of dipped and<br />

then picked up again and I felt that that was a bit of a<br />

wasted opportunity.<br />

Programme We didn’t energise the lobby or the façade of the building<br />

Manager and I would have very much liked to see something happen<br />

there… The only thing that I would have done differently was<br />

change the entry sequence. Our Council partners were<br />

reluctant for us to do anything in that space<br />

The researcher asked what could have been done better in the exhibition. CD<br />

indicated the issues with the nature of the space again and suggested the<br />

reception space of the building was an impediment to the public access of the<br />

exhibition. The reception area functioned as usual for the technology-based<br />

start up companies located on the upper floors of the building throughout the<br />

exhibition and this could be perceived as a barrier to open, public access. CD<br />

also pointed out the installation of ‘Morse’ in the central break out space 125 was<br />

a ‘wasted opportunity’. PM also indicated the reception area of the building as<br />

problematic. It just didn’t look like the public was welcome to wander in off the<br />

street. Also the façade of the building 126 was pointed to as a missed opportunity<br />

to indicate to the public that the exhibition was inside.<br />

125 This is a corridor as opposed to a room and as such there were many Health and Safety and Fire regulations that<br />

limited what could be installed in this space.<br />

126 During the selection process PM had advocated the inclusion of the graphic work of Alex<br />

Hetherington possibly to be applied to the glazed wall in the front of the building. This<br />

proposition was rejected on the basis that Hetherington’s work did not fit the brief for the<br />

exhibition. http://www.alexhetherington.com/<br />

- 251 -

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