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John James Marshall thesis.pdf - OpenAIR @ RGU - Robert Gordon ...

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It could mean a variety of things, 3D CAD software, 3D input devices and 3D<br />

output devices. To me it means someone is not being very specific.<br />

35. Name up to 5 practitioners that you would identify as exemplary<br />

users of 3D computer technologies.<br />

Tavs Jorgenson, Drummond Masterton, <strong>Gordon</strong> Burnett, Industreal group,<br />

Materialise group.<br />

36. In terms of discipline where do you do you locate your practice?<br />

Differing projects I undertake sit in different contexts, but predominantly within<br />

designer/maker practice.<br />

37. How would you identify the community of practice or discipline<br />

that you most closely relate to?<br />

No answer.<br />

38. How would you define the relationship between your work and<br />

its audience?<br />

Again this differs from project to project, sometimes as active<br />

client/commissioner, sometimes as an active collaborator, sometimes as<br />

relatively passive consumer, others just as a passive viewer.<br />

39. Do you think there is a trend towards an emerging, hybrid<br />

discipline?<br />

There are designer maker using digital technologies crossing boundaries, but<br />

without an underlying understanding of the materials and processes they are<br />

using beyond the digital realm this can result in work which lacks quality and<br />

deep understanding of the field.<br />

40. If so, what role if any does technology play in this?<br />

Digital technologies do open up the potential for new practices through the<br />

creation of data which can be used for a variety of applications and to control<br />

widely differing forms of output device. The ability to transmit data quickly and<br />

accurately also opens up new forms of working practice. However for me the<br />

useful, interesting, successful and/or convincing applications of digital<br />

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