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John James Marshall thesis.pdf - OpenAIR @ RGU - Robert Gordon ...

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The researcher was first exposed to computer-based design and fabrication tools<br />

in 1997 at Manchester Metropolitan University. This was through (his then MA<br />

degree advisor) Keith Brown’s involvement in the ‘CALM’ (Creating Art with<br />

Layer Manufacture) project 1997-98. This project was set up by the Higher<br />

Education Funding Councils as part of an initiative to promote the use of IT<br />

within the art and design community in UK higher education. The network of<br />

contacts between artists and engineers that was built up during this project<br />

resulted in the creation of the organisation Fast-uk 2 (Fine Art Sculptors and<br />

Technology in the UK – now, Fine Art, Science and Technology in the UK). The<br />

researcher was a founder member and is the organisation’s Vice President.<br />

Between 1999 and 2003 the researcher worked as part of a collaborative<br />

product development team for the Evenflo Company, Inc. (Vandalia, Ohio,<br />

USA). Throughout this time the researcher worked daily with engineers and<br />

designers making aesthetic and functional models, prototypes and sales<br />

samples. The researcher was instrumental in transitioning Evenflo’s model<br />

shop from traditional hand-working methods to a computer-based rapid<br />

prototyping, silicone tooling and cast urethane reproduction process. Within<br />

the first annual product development cycle after implementing the use of this<br />

rapid prototyping technology Evenflo increased its number of new products<br />

from twelve to thirty-six a year. The researcher also took part in evaluating new<br />

product needs, working closely with marketing, engineering and tooling<br />

personnel throughout the product development process.<br />

During this period the researcher co-founded ‘artcore’ - an unincorporated artist<br />

run non-profit organisation. In 2001, ‘artcore’ presented the rapid prototype art<br />

exhibition ‘Intersculpt:Ohio 01’. Funding for this project was raised from<br />

various sources including public funds from the Ohio Arts Council and cash and<br />

in-kind donations from corporations, organisations and individuals.<br />

Subsequently, in 2003 the researcher returned to the UK and co-curated the<br />

exhibition ‘Intersculpt:UK 03’ for Fast-uk at the Museum of Science & Industry<br />

in Manchester. This exhibition was funded by The Arts Council of England,<br />

Manchester City Council and the Manchester Institute for Research &<br />

Innovation in Art & Design (MIRIAD).<br />

2 http://www.fastuk.org.uk/<br />

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