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John James Marshall thesis.pdf - OpenAIR @ RGU - Robert Gordon ...

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Obviously it is necessary to look beyond the domain of sculpture to other<br />

discourses for critical discussion.<br />

2.5 Developments in architectural practice<br />

The idea that one might include architecture in this study might seem<br />

problematic - given the disciplinary disputations about whether the products of<br />

some of the more experimental architects can be called ‘Architecture’ since there<br />

have been few buildings produced entirely by computer-based design and<br />

fabrication tools. As pointed out previously by Hatzellis (see section 2.4)<br />

architectural design projects generated by 3D animation software have been<br />

criticised for being unrealistic, unconstructible and incomprehensible (Gwilt,<br />

2006, p.39). Kolarevic (2005) suggests there is a direct relationship between<br />

the tools architects use and the buildings they build. He argues that this is why<br />

when pens and set squares were the tools of choice buildings all tended to be<br />

rectilinear. He claims this is why ‘blob’ forms seem to be ubiquitous in<br />

computer-based, experimental or critical architecture practice because of the<br />

capabilities of the software used. The term ‘Architecture’ itself is of Greek and<br />

Latin derivation. ‘Building’ on the other hand has Anglo-Saxon roots. In<br />

common use they refer to the same things and are synonyms. Nevertheless, they<br />

have different connotations; ‘Architecture’ meaning something superior to<br />

‘building’. However, for this study ‘Architecture’ is considered the activity of<br />

‘designing buildings’.<br />

The technological developments of architectural CAD with computer-aided<br />

manufacture (CAM) and the exploitation of new materials and processes have<br />

revolutionised architectural practice. Computer-based design and fabrication<br />

tools have rapidly become ubiquitous in contemporary architectural practice.<br />

The ability to generate construction information directly from design<br />

information has fundamentally changed the relationship between conception<br />

and production. The discourse around computer-based design and fabrication<br />

tools in architecture is more developed than in other disciplines. It is the job of<br />

an architect to be able to specify and communicate the description of a structure<br />

that does not yet exist to multitudes of other trades. Construction drawings and<br />

models are an integral part of this.<br />

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