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John James Marshall thesis.pdf - OpenAIR @ RGU - Robert Gordon ...

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forms of digital production might aid the development of more sustainable<br />

forms of craft practice.<br />

This project came out of the Autonomatic 1 symposium run at University<br />

College Falmouth early in 2005. This [slide] lists some of the issues that the<br />

Autonomatic competition sought to address, the specific questions I attempted<br />

to address are at the top.<br />

I’ve been working with digital technologies for quite a number of years on and<br />

off, from the perspective of a maker/craftsperson/sculptor. I have also been<br />

interested in the integration of craft practices into architecture. So, I wanted to<br />

try to work with a related industry, to see how my skills as an independent<br />

maker that uses digital technologies may impact on their work practices of a<br />

company that makes ornamental plasterwork and uses predominantly very<br />

traditional craft processes. I also wanted to look at how my practice as an<br />

independent maker – as Julian flagged up earlier – might be made more<br />

sustainable by finding some sort of practice that involves working in<br />

collaboration with industry without being a designer just embedded within one<br />

company.<br />

Hayles and Howe are a Bristol based company. They make this sort of thing:<br />

cornicing, ceiling roses, strapwork ceilings – everything from domestic, small<br />

scale stuff to large scale, multi-million pound restoration projects and new build<br />

tends to be retro stuff. You can see here that apart fro the use of silicone<br />

moulding rather than gelatine moulding and other minor stuff that their<br />

practice hasn’t changed hugely, certainly since the Nineteenth Century, and<br />

perhaps before then. So this is the sort of stuff that they would routinely<br />

produce, this is Sting’s music room ceiling which they produced, which is a new<br />

design, but very much within a genre - using very traditional, hand modelling<br />

skills and moulding and casting.<br />

I approached the Managing Director and described who I was and what I<br />

wanted to do. I wished to undertake a number of small scale projects that<br />

investigated using different forms of digital production technology, and to see<br />

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