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John James Marshall thesis.pdf - OpenAIR @ RGU - Robert Gordon ...

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key element of that. It’s not just about the content that gets deployed to those<br />

devices but the devices themselves are the content. PBB is going to set folly on<br />

an interesting road.<br />

4. What did folly expect to get out of the exhibition?<br />

It’s very much seen as a catalyst and it was going to enable us to deliver a wider<br />

festival so it was seen as the anchor project (the Debenhams or Marks & Spencer<br />

of the shopping centre). We knew that we were going to have a critical mass of<br />

quality products which we could actually spin and produce some activity around<br />

it and produce a festival. It served a number of purposes in that respect. Even if<br />

we hadn’t done the festival and we just had PBB it still would have been top<br />

notch and that was the way it was. We all contributed quite heavily to the<br />

success of PBB. Principally it was going to enable us to develop slightly larger<br />

although we couldn’t foresee the scale because it was about development paths<br />

with annual festivals which we haven’t done to date. So PBB was the anchor<br />

that enabled us to be involved with an interesting partner like Fast-uk in an<br />

academic perspective as well so you get much more of a grounding a much more<br />

rounded project.<br />

5. How would you describe folly’s role in the curatorial process for<br />

PBB?<br />

I am pleased that we were equal partners and the discussions that we had about<br />

the selection of work and how the show fitted together was genuinely<br />

collaborative. The discussions we had were really quite interesting for me<br />

because it took in about scoring things and why you liked a particular piece of<br />

work and how did it fit, etc. I know there were some things that we said we<br />

would have liked to have but we didn’t have that wouldn’t fit in at all anywhere.<br />

I was pleased with what we had got the mix of fifteen or so pieces of work or<br />

fifteen participants came out of those discussions and that collaboration and<br />

that was very satisfying. It didn’t feel like we were curating by committee it was<br />

coming out of informed discussion. There was a very clear goal and I thought<br />

that was great. Everything did hang together in that respect and that was the<br />

role from a curatorial perspective and it was interesting because there were<br />

different skills as well. From my particular background things were appealing<br />

to me in a different way. My colleagues in folly have a slightly different feeling<br />

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