Level Up.pdf

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142 LEVEL 6 The Three Cs, Part 2—Camera Wide shot (WS). The entire subject (be it a car or person) can be seen in frame on a wide shot. Usually used when first establishing a main character or vehicle so the player can get a good look at it in its entirety. Medium shot (MS). About half of the figure of the subject can be seen in frame: usually your character from the waist up. Which means your character doesn ’ t need to wear pants that day. Medium close up (MCU). Also called a “ head and shoulders shot. ” This view is most commonly used when a character is talking. Make sure to animate hands to keep the character on the screen lively. Close up (CU). Also called a “ head shot ” : the camera is tight into a character ’ s face to show expression. When you get this close to a CG character model, you start to see flaws (such as in the interiors of mouths or close views on textures). I recommend using this shot sparingly. Extreme close up (ECU). Wham! Right up the nose with this one. It ’ s great for focusing on the expression in eyes like in spaghetti westerns and old horror movies. Or you can use it to show details on objects such as puzzle clues, or even the puzzles themselves.
Camera Shot Guide 143 Cutaway. You know when the hero says “ I need to get that magic sword ” and the next shot is a magic sword? That ’ s a cutaway. A cutaway can be used for a character reaction shot too. Cut in. Here, our hero says “ I need to examine this clue ” and then the camera shows a close - up detail of the clue. That ’ s a cut in. Two shot. This is called a two shot because it features two elements (usually talking characters) shown on screen at the same time.
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Copyright Information Please note t
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This edition first published 2010
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Publisher’s Acknowledgments Some
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viii Contents Level 2 Ideas 23 Idea
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x Contents Level 8 Sign Language—
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xii Contents Level 15 Some Notes on
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About the Author After discovering
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xvi Press Start! You obviously don
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xviii Press Start! video games shou
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xx Press Start! to me. Why would yo
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T LeveI 1 Welcome, N00bs! This chap
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So, let ’ s ask this basic questi
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A Brief History of Video Games Earl
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A Brief History of Video Games A co
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Game Genres Game Genres Over the ye
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Game Genres 11 Puzzle: puzzle games
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Who Makes this Stuff? One programme
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Who Makes this Stuff? many, many sk
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Who Makes this Stuff? 17 problems (
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Writer Have You Thought about Publi
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Have You Thought about Publishing?
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T LeveI 2 Ideas Let ’ s talk abou
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Ideas: Where to Get Them and Where
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28 LEVEL 2 Ideas • Space Panic’
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30 LEVEL 2 Ideas them credit for. O
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32 LEVEL 2 Ideas 3. Something to wr
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34 LEVEL 2 Ideas Breaking Writer
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36 LEVEL 2 Ideas others are clear l
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38 LEVEL 3 Writing the Story 2. Our
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40 LEVEL 3 Writing the Story 6. An
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42 LEVEL 3 Writing the Story they s
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44 LEVEL 3 Writing the Story The Tr
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46 LEVEL 3 Writing the Story What d
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48 LEVEL 3 Writing the Story Howeve
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50 LEVEL 3 Writing the Story game.
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52 LEVEL 3 Writing the Story Death
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54 LEVEL 3 Writing the Story Comedi
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56 LEVEL 3 Writing the Story great
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58 LEVEL 4 You Can Design a Game, B
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The Game Design Document (and the A
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The Beat Chart The Beat Chart 77 Th
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Above All, Don’t Be a Schmuck 79
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Level 4’s Universal Truths and Cl
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T LeveI 5 The Three Cs, Part 1 —
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Personality: Do We Really Need Anot
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Personality: Do We Really Need Anot
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Let’s Get Personal 89 an internat
Page 115 and 116: Let’s Get Personal While video ga
Page 117 and 118: Finally, We Talk about Gameplay 93
Page 119 and 120: Why Walk When You Can Run? 95 The t
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Page 123 and 124: The Art of Doing Nothing 99 When yo
Page 125 and 126: Might as Well Jump 101 1. The playe
Page 127 and 128: Might as Well Jump 103 The target t
Page 129 and 130: What Goes Up, Must Fall Down 105 Jo
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Page 133 and 134: Be Kind to Our Four-Legged Friends
Page 135 and 136: We Are Not Alone 111 player, who is
Page 137 and 138: We Are Not Alone 113 While companio
Page 139 and 140: We Are Not Alone 115 Scout Engineer
Page 141 and 142: Who Are the People in Your Neighbor
Page 143: Level 5’s Universal Truths and Cl
Page 146 and 147: 122 LEVEL 6 The Three Cs, Part 2—
Page 179 and 180: T Levei 7 The Three Cs, Part 3 —
Page 181 and 182: The Three Cs, Part 3—Controls 157
Page 183 and 184: Dance, Monkey, Dance 159 • While
Page 185 and 186: Dance, Monkey, Dance 161 • Clasp
Page 187 and 188: Dance, Monkey, Dance 163 Maximo ’
Page 189 and 190: Character or Camera Relative? 165 W
Page 191 and 192: Shake, Rattle and Roll 167 characte
Page 193: Level 7’s Universal Truths and Cl
Page 196 and 197: 172 LEVEL 8 Sign Language—HUD and
Page 205 and 206: Icon Has Cheezburger? 181 The first
Page 207 and 208: Don’t Get QTE 183 • Red cross:
Page 209 and 210: HUDs, and Where to Stick ‘Em 185
Page 211 and 212: There Are Other Screens Than the HU
Page 213 and 214: The Pause that Refreshes 189 • Th
Page 215 and 216: The Pause that Refreshes 191 screen
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The Pause that Refreshes 193 • Fi
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A Final Word on Fonts 195 out of th
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T LeveI 9 Everything I Learned Abou
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Everything I Learned about Level De
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The Top 10 Cliché Video Game Theme
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The Name Game 207 While designing M
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Relic Raider beat chart The Beat Ch
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The Gary Gygax Memorial Mapping Sec
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220 LEVEL 9 Everything I Learned ab
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T Levei 10 The Elements of Combat E
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400 Quatloos on the Newcomer! 245
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400 Quatloos on the Newcomer! 247 C
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400 Quatloos on the Newcomer! 249 L
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400 Quatloos on the Newcomer! 251 Y
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400 Quatloos on the Newcomer! 253 W
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On Moving On Moving 255 If you take
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On Moving 257 Many games allow the
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On Guarding 259 to decide whether a
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State of the Art Bang Bang 261 does
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State of the Art Bang Bang 263 •
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The Best Gun for You 265 Here are a
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The Best Gun for You 267 • Automa
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Run and Gun 269 to a main gun and a
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Not Just Shooting 271 Rail shooter
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Not Just Shooting 273 Wherever ther
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Dammit Jones, Where Doesn’t It Hu
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Death: What is It Good For? 277 the
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Level 10’s Universal Truths and C
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T LeveI 11 They All Want You Dead V
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They All Want You Dead 283 All of t
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A shooter is an enemy that fires a
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They All Want You Dead 287 A telepo
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• A guard and a bomber. While the
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They All Want You Dead 291 Medium s
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They All Want You Dead 293 Let ’
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Bring on the Bad Guys 295 You are w
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Bring on the Bad Guys 297 like a ma
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Bring on the Bad Guys 299 They ’
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Bring on the Bad Guys 301 ricochet.
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Bring on the Bad Guys 303 Leech: th
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I Love Designing Enemies 305 A is f
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I Love Designing Enemies 307 I hate
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I Love Designing Enemies 309 M is f
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I Love Designing Enemies 311 Spaces
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I Love Designing Enemies 313 Behold
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I Hate You to Pieces 315 gets a goo
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Non-Enemy Enemies 317 comes dialogu
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Who’s the Boss? 319 At first glan
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Size Matters 321 father in order to
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Size Matters 323 safe for them to a
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Size Matters 325 When the player gi
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Why Not to Create the World’s Gre
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The Nuts and Bolts of Mechanics 333
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Holy Death Trap! 335 Cranks are lik
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Holy Death Trap! 337 I was designin
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Time to Die Time to Die 339 we are
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The Music of Mechanics 341 Gaming w
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The Music of Mechanics 343 characte
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A Nice Little Calm Spot 345 The whi
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Riddle Me This 347 While Mr. Kim ha
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Riddle Me This 349 another player s
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A Short Word on Minigames and Micro
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T LeveI 13 Now You ’ re Playing w
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Now You’re Playing with Power 357
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Now You’re Playing with Power 359
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“Love Thy Player” 361 Most powe
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“Love Thy Player” 363 the playe
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More Wealth Than You Can Imagine! 3
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382 LEVEL 14 Multiplayer—the More
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T LeveI 15 1 Some Notes on Music Wh
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Some Notes on Music 395 the rights
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Some Notes on Music 397 game? A tra
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Some Notes on Music 399 • Warning
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Sounds Like a Game to Me 401 • We
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Sounds Like a Game to Me 403 Be car
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408 LEVEL 16 Cutscenes, or No One
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418 LEVEL 17 And Now the Hard Part
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430 Continue?
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432 Bonus Level 1 The One-Sheet Sam
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436 Bonus Level 2 The Ten-Page Desi
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446 Bonus Level 3 Game Design Docum
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• Abandoned city • Air/clouds
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• Ship/boat deck/interior • Sky
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T Bonus Levei 7 Enemy Design Templa
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T Bonus Levei 8 Boss Design Templat
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Slide 1: Cover Page T Bonus Levei 9
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Slide 4: Game Story Slide 4: Game S
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Slide 6: Gameplay Summary Slide 6:
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Slide 7: Gameplay details Slide 7:
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Slide 9: Production Specs Slide 9:
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482 Achievement Unlocked: Exactly L
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484 Index boss battles, 319-329 bos
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486 Index Fat Princess, 422 F.E.A.R
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488 Index Little Red Riding Hood, 4
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490 Index resistances/vulnerabiliti
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492 Index walking, 25, 34, 94-97, 2
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