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288 LEVEL 11 They All Want You Dead Here are a few interesting enemy combinations that I ’ ve found work well together: • A blocker with a shooter positioned behind him. As the player tries to whittle down the blocker, the shooter is taking pot- shots at the player. • A big chaser and a group of smaller flyers. While the player goes after the big guy, the little guys attack. However, if you leave the big guy alone and go after the flyers, you ’ re gonna get thumped. • A teleporter and a chaser. As the player tries to catch the teleporter, he leaves himself open to the chaser ’ s attacks.
• A guard and a bomber. While the player is tied up with the guard, the bombers attack from above. Depending on speed and movement, an enemy can be more dangerous, harder to target and more frightening. Use the different speeds: non - mobile, slow, medium, fast, and quick for your enemies. They All Want You Dead 289 The difference between a hazard and an enemy is mobility and AI, but every rule has its exceptions. Just because an enemy is non - mobile doesn ’ t mean it can ’ t move. Movement = character and life. A humongous tentacled Cthulhu - esque creature may be immobile due to its sheer size or even technology limitations, but a player would still consider it an enemy. Non - mobile enemies like a robotic wall - mounted laser- sighted machine gun can still have enough AI to make life difficult for the player. Design ways to keep the player engaged as they attack non - mobile enemies, whether it ’ s a timing puzzle that stands between the enemy and the player, or even a puzzle that ’ s part of the enemy itself. The speed, size and strength 7 of an enemy are inversely proportional: small enemies are fast but not strong, big enemies are strong but not fast. Medium - sized enemies can be either strong or fast, but if you give them 7 Hey! It ’ s the three Ss!
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Copyright Information Please note t
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This edition first published 2010
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Publisher’s Acknowledgments Some
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viii Contents Level 2 Ideas 23 Idea
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x Contents Level 8 Sign Language—
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xii Contents Level 15 Some Notes on
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About the Author After discovering
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xvi Press Start! You obviously don
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xviii Press Start! video games shou
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xx Press Start! to me. Why would yo
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T LeveI 1 Welcome, N00bs! This chap
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So, let ’ s ask this basic questi
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A Brief History of Video Games Earl
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A Brief History of Video Games A co
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Game Genres Game Genres Over the ye
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Game Genres 11 Puzzle: puzzle games
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Who Makes this Stuff? One programme
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Who Makes this Stuff? many, many sk
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Who Makes this Stuff? 17 problems (
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Writer Have You Thought about Publi
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Have You Thought about Publishing?
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T LeveI 2 Ideas Let ’ s talk abou
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Ideas: Where to Get Them and Where
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28 LEVEL 2 Ideas • Space Panic’
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30 LEVEL 2 Ideas them credit for. O
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32 LEVEL 2 Ideas 3. Something to wr
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34 LEVEL 2 Ideas Breaking Writer
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36 LEVEL 2 Ideas others are clear l
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38 LEVEL 3 Writing the Story 2. Our
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40 LEVEL 3 Writing the Story 6. An
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42 LEVEL 3 Writing the Story they s
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44 LEVEL 3 Writing the Story The Tr
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46 LEVEL 3 Writing the Story What d
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48 LEVEL 3 Writing the Story Howeve
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50 LEVEL 3 Writing the Story game.
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52 LEVEL 3 Writing the Story Death
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54 LEVEL 3 Writing the Story Comedi
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56 LEVEL 3 Writing the Story great
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58 LEVEL 4 You Can Design a Game, B
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The Game Design Document (and the A
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The Beat Chart The Beat Chart 77 Th
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Above All, Don’t Be a Schmuck 79
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Level 4’s Universal Truths and Cl
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T LeveI 5 The Three Cs, Part 1 —
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Personality: Do We Really Need Anot
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Personality: Do We Really Need Anot
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Let’s Get Personal 89 an internat
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Let’s Get Personal While video ga
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Finally, We Talk about Gameplay 93
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Why Walk When You Can Run? 95 The t
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Why Walk When You Can Run? 97 with
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The Art of Doing Nothing 99 When yo
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Might as Well Jump 101 1. The playe
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Might as Well Jump 103 The target t
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What Goes Up, Must Fall Down 105 Jo
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What Goes Up, Must Fall Down 107
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Be Kind to Our Four-Legged Friends
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We Are Not Alone 111 player, who is
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We Are Not Alone 113 While companio
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We Are Not Alone 115 Scout Engineer
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Who Are the People in Your Neighbor
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122 LEVEL 6 The Three Cs, Part 2—
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T Levei 7 The Three Cs, Part 3 —
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The Three Cs, Part 3—Controls 157
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Dance, Monkey, Dance 159 • While
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Dance, Monkey, Dance 161 • Clasp
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Dance, Monkey, Dance 163 Maximo ’
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Character or Camera Relative? 165 W
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Shake, Rattle and Roll 167 characte
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172 LEVEL 8 Sign Language—HUD and
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Icon Has Cheezburger? 181 The first
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Don’t Get QTE 183 • Red cross:
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HUDs, and Where to Stick ‘Em 185
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There Are Other Screens Than the HU
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The Pause that Refreshes 189 • Th
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The Pause that Refreshes 191 screen
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The Pause that Refreshes 193 • Fi
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A Final Word on Fonts 195 out of th
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T LeveI 9 Everything I Learned Abou
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Everything I Learned about Level De
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The Top 10 Cliché Video Game Theme
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The Name Game 207 While designing M
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Relic Raider beat chart The Beat Ch
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The Gary Gygax Memorial Mapping Sec
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220 LEVEL 9 Everything I Learned ab
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Page 267 and 268: T Levei 10 The Elements of Combat E
Page 269 and 270: 400 Quatloos on the Newcomer! 245
Page 271 and 272: 400 Quatloos on the Newcomer! 247 C
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Page 275 and 276: 400 Quatloos on the Newcomer! 251 Y
Page 277 and 278: 400 Quatloos on the Newcomer! 253 W
Page 279 and 280: On Moving On Moving 255 If you take
Page 281 and 282: On Moving 257 Many games allow the
Page 283 and 284: On Guarding 259 to decide whether a
Page 285 and 286: State of the Art Bang Bang 261 does
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Page 289 and 290: The Best Gun for You 265 Here are a
Page 291 and 292: The Best Gun for You 267 • Automa
Page 293 and 294: Run and Gun 269 to a main gun and a
Page 295 and 296: Not Just Shooting 271 Rail shooter
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Page 299 and 300: Dammit Jones, Where Doesn’t It Hu
Page 301 and 302: Death: What is It Good For? 277 the
Page 303 and 304: Level 10’s Universal Truths and C
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Page 307 and 308: They All Want You Dead 283 All of t
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Page 319 and 320: Bring on the Bad Guys 295 You are w
Page 321 and 322: Bring on the Bad Guys 297 like a ma
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Page 325 and 326: Bring on the Bad Guys 301 ricochet.
Page 327 and 328: Bring on the Bad Guys 303 Leech: th
Page 329 and 330: I Love Designing Enemies 305 A is f
Page 331 and 332: I Love Designing Enemies 307 I hate
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Page 335 and 336: I Love Designing Enemies 311 Spaces
Page 337 and 338: I Love Designing Enemies 313 Behold
Page 339 and 340: I Hate You to Pieces 315 gets a goo
Page 341 and 342: Non-Enemy Enemies 317 comes dialogu
Page 343 and 344: Who’s the Boss? 319 At first glan
Page 345 and 346: Size Matters 321 father in order to
Page 347 and 348: Size Matters 323 safe for them to a
Page 349 and 350: Size Matters 325 When the player gi
Page 351 and 352: Why Not to Create the World’s Gre
Page 353: Level 11’s Universal Truths and C
Page 357 and 358: The Nuts and Bolts of Mechanics 333
Page 359 and 360: Holy Death Trap! 335 Cranks are lik
Page 361 and 362: Holy Death Trap! 337 I was designin
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Time to Die Time to Die 339 we are
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The Music of Mechanics 341 Gaming w
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The Music of Mechanics 343 characte
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A Nice Little Calm Spot 345 The whi
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Riddle Me This 347 While Mr. Kim ha
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Riddle Me This 349 another player s
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A Short Word on Minigames and Micro
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Level 12’s Universal Truths and C
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T LeveI 13 Now You ’ re Playing w
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Now You’re Playing with Power 357
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Now You’re Playing with Power 359
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“Love Thy Player” 361 Most powe
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“Love Thy Player” 363 the playe
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More Wealth Than You Can Imagine! 3
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382 LEVEL 14 Multiplayer—the More
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T LeveI 15 1 Some Notes on Music Wh
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Some Notes on Music 395 the rights
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Some Notes on Music 397 game? A tra
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Some Notes on Music 399 • Warning
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Sounds Like a Game to Me 401 • We
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Sounds Like a Game to Me 403 Be car
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408 LEVEL 16 Cutscenes, or No One
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418 LEVEL 17 And Now the Hard Part
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430 Continue?
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432 Bonus Level 1 The One-Sheet Sam
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436 Bonus Level 2 The Ten-Page Desi
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446 Bonus Level 3 Game Design Docum
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• Abandoned city • Air/clouds
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• Ship/boat deck/interior • Sky
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T Bonus Levei 7 Enemy Design Templa
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T Bonus Levei 8 Boss Design Templat
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Slide 1: Cover Page T Bonus Levei 9
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Slide 4: Game Story Slide 4: Game S
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Slide 6: Gameplay Summary Slide 6:
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Slide 7: Gameplay details Slide 7:
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Slide 9: Production Specs Slide 9:
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482 Achievement Unlocked: Exactly L
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484 Index boss battles, 319-329 bos
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486 Index Fat Princess, 422 F.E.A.R
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488 Index Little Red Riding Hood, 4
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490 Index resistances/vulnerabiliti
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492 Index walking, 25, 34, 94-97, 2
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