Level Up.pdf

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462 Bonus <strong>Level</strong> 5 The Big List of Environments • Fairytale land • Famous monument • Farm/ranch • Fast food restaurant • Fire level/world • Forest • Fort • Fort Knox/treasury • Freeway • Funeral home • Futuristic city • Garden • Giant- sized world (can be applied to any theme) • Glacier/ice flow • Graveyard • Haunted house • Heaven/Olympus • Hospital • Hotel/inn • House • Ice • Indian reservation/village/burial ground • Inside a creature/on top of a giant creature • Japanese dojo/temple • Jungle • Junkyard • Kitchen • Laboratory • Library • “ Little ” world (where the player has been shrunken down) • Mall/marketplace • Mansion • Marina/seaport • Mayan jungle/temple • Maze/hedge/labyrinth • Medieval village • Metropolis/megalopolis/arcology • Military base/Area 51 • Mines • Missile silo • Monastery • Mountain • Movie set/TV studio • Movie theatre • Moving train • Museum • New York City • North pole • Nuclear reactor • Ocean park ( à la “ Sea World ” ) • Ocean surface • Offi ce building • Oil refinery • Opera house • Oriental temple/dojo • Palace • Park • Pirate ship/town • Playground • Police station • Prehistoric village/caves • Prison • Racetrack • Restaurant • River • Rooftops • Russian city/military base • Rustic village • Savannah/veldt • School/elementary/college • Secret lair • Sewer
• Ship/boat deck/interior • Sky/clouds • Skyscraper • Sock puppet world • Space station/spaceport • Sporting arena • Strip club • Submarine interior • Suburbs • Subway • Superhero HQ/supervillain lair • Surface of the sun • Swamp • Temple • Theatre stage • Theme park The Big List of Environments 463 • Topiary maze/garden • Toy land • Toy store • Train station • Treehouse/village • Undersea base/city/grotto • Underwater • Underworld/Hell • Urban city • Utopia • Volcano • Warehouse • Wild West town • Zeppelin interior • Zoo/wild animal preserve
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Copyright Information Please note t
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This edition first published 2010
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Publisher’s Acknowledgments Some
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viii Contents Level 2 Ideas 23 Idea
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x Contents Level 8 Sign Language—
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xii Contents Level 15 Some Notes on
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About the Author After discovering
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xvi Press Start! You obviously don
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xviii Press Start! video games shou
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xx Press Start! to me. Why would yo
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T LeveI 1 Welcome, N00bs! This chap
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So, let ’ s ask this basic questi
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A Brief History of Video Games Earl
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A Brief History of Video Games A co
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Game Genres Game Genres Over the ye
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Game Genres 11 Puzzle: puzzle games
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Who Makes this Stuff? One programme
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Who Makes this Stuff? many, many sk
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Who Makes this Stuff? 17 problems (
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Writer Have You Thought about Publi
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Have You Thought about Publishing?
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T LeveI 2 Ideas Let ’ s talk abou
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Ideas: Where to Get Them and Where
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28 LEVEL 2 Ideas • Space Panic’
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30 LEVEL 2 Ideas them credit for. O
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32 LEVEL 2 Ideas 3. Something to wr
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34 LEVEL 2 Ideas Breaking Writer
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36 LEVEL 2 Ideas others are clear l
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38 LEVEL 3 Writing the Story 2. Our
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40 LEVEL 3 Writing the Story 6. An
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42 LEVEL 3 Writing the Story they s
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44 LEVEL 3 Writing the Story The Tr
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46 LEVEL 3 Writing the Story What d
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48 LEVEL 3 Writing the Story Howeve
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50 LEVEL 3 Writing the Story game.
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52 LEVEL 3 Writing the Story Death
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54 LEVEL 3 Writing the Story Comedi
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56 LEVEL 3 Writing the Story great
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58 LEVEL 4 You Can Design a Game, B
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The Game Design Document (and the A
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The Beat Chart The Beat Chart 77 Th
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Above All, Don’t Be a Schmuck 79
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Level 4’s Universal Truths and Cl
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T LeveI 5 The Three Cs, Part 1 —
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Personality: Do We Really Need Anot
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Personality: Do We Really Need Anot
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Let’s Get Personal 89 an internat
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Let’s Get Personal While video ga
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Finally, We Talk about Gameplay 93
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Why Walk When You Can Run? 95 The t
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Why Walk When You Can Run? 97 with
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The Art of Doing Nothing 99 When yo
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Might as Well Jump 101 1. The playe
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Might as Well Jump 103 The target t
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What Goes Up, Must Fall Down 105 Jo
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What Goes Up, Must Fall Down 107
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Be Kind to Our Four-Legged Friends
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We Are Not Alone 111 player, who is
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We Are Not Alone 113 While companio
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We Are Not Alone 115 Scout Engineer
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Who Are the People in Your Neighbor
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122 LEVEL 6 The Three Cs, Part 2—
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T Levei 7 The Three Cs, Part 3 —
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The Three Cs, Part 3—Controls 157
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Dance, Monkey, Dance 159 • While
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Dance, Monkey, Dance 161 • Clasp
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Dance, Monkey, Dance 163 Maximo ’
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Character or Camera Relative? 165 W
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Shake, Rattle and Roll 167 characte
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172 LEVEL 8 Sign Language—HUD and
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Icon Has Cheezburger? 181 The first
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Don’t Get QTE 183 • Red cross:
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HUDs, and Where to Stick ‘Em 185
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There Are Other Screens Than the HU
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The Pause that Refreshes 189 • Th
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The Pause that Refreshes 191 screen
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The Pause that Refreshes 193 • Fi
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A Final Word on Fonts 195 out of th
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T LeveI 9 Everything I Learned Abou
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Everything I Learned about Level De
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The Top 10 Cliché Video Game Theme
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The Name Game 207 While designing M
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Relic Raider beat chart The Beat Ch
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The Gary Gygax Memorial Mapping Sec
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220 LEVEL 9 Everything I Learned ab
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T Levei 10 The Elements of Combat E
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400 Quatloos on the Newcomer! 245
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400 Quatloos on the Newcomer! 247 C
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400 Quatloos on the Newcomer! 249 L
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400 Quatloos on the Newcomer! 251 Y
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400 Quatloos on the Newcomer! 253 W
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On Moving On Moving 255 If you take
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On Moving 257 Many games allow the
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On Guarding 259 to decide whether a
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State of the Art Bang Bang 261 does
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State of the Art Bang Bang 263 •
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The Best Gun for You 265 Here are a
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The Best Gun for You 267 • Automa
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Run and Gun 269 to a main gun and a
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Not Just Shooting 271 Rail shooter
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Not Just Shooting 273 Wherever ther
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Dammit Jones, Where Doesn’t It Hu
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Death: What is It Good For? 277 the
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Level 10’s Universal Truths and C
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T LeveI 11 They All Want You Dead V
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They All Want You Dead 283 All of t
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A shooter is an enemy that fires a
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They All Want You Dead 287 A telepo
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• A guard and a bomber. While the
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They All Want You Dead 291 Medium s
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They All Want You Dead 293 Let ’
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Bring on the Bad Guys 295 You are w
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Bring on the Bad Guys 297 like a ma
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Bring on the Bad Guys 299 They ’
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Bring on the Bad Guys 301 ricochet.
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Bring on the Bad Guys 303 Leech: th
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I Love Designing Enemies 305 A is f
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I Love Designing Enemies 307 I hate
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I Love Designing Enemies 309 M is f
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I Love Designing Enemies 311 Spaces
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I Love Designing Enemies 313 Behold
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I Hate You to Pieces 315 gets a goo
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Non-Enemy Enemies 317 comes dialogu
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Who’s the Boss? 319 At first glan
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Size Matters 321 father in order to
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Size Matters 323 safe for them to a
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Size Matters 325 When the player gi
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Why Not to Create the World’s Gre
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The Nuts and Bolts of Mechanics 333
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Holy Death Trap! 335 Cranks are lik
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Holy Death Trap! 337 I was designin
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Time to Die Time to Die 339 we are
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The Music of Mechanics 341 Gaming w
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The Music of Mechanics 343 characte
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A Nice Little Calm Spot 345 The whi
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Riddle Me This 347 While Mr. Kim ha
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Riddle Me This 349 another player s
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A Short Word on Minigames and Micro
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T LeveI 13 Now You ’ re Playing w
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Now You’re Playing with Power 357
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Now You’re Playing with Power 359
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“Love Thy Player” 361 Most powe
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“Love Thy Player” 363 the playe
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More Wealth Than You Can Imagine! 3
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382 LEVEL 14 Multiplayer—the More
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T LeveI 15 1 Some Notes on Music Wh
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Some Notes on Music 395 the rights
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Some Notes on Music 397 game? A tra
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Some Notes on Music 399 • Warning
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Sounds Like a Game to Me 401 • We
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Sounds Like a Game to Me 403 Be car
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408 LEVEL 16 Cutscenes, or No One
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410 LEVEL 16 Cutscenes, or No One
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Page 442 and 443: 418 LEVEL 17 And Now the Hard Part
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Page 456: 432 Bonus Level 1 The One-Sheet Sam
Page 460 and 461: 436 Bonus Level 2 The Ten-Page Desi
Page 470 and 471: 446 Bonus Level 3 Game Design Docum
Page 485: • Abandoned city • Air/clouds
Page 491 and 492: T Bonus Levei 7 Enemy Design Templa
Page 493 and 494: T Bonus Levei 8 Boss Design Templat
Page 495 and 496: Slide 1: Cover Page T Bonus Levei 9
Page 497 and 498: Slide 4: Game Story Slide 4: Game S
Page 499 and 500: Slide 6: Gameplay Summary Slide 6:
Page 501 and 502: Slide 7: Gameplay details Slide 7:
Page 503: Slide 9: Production Specs Slide 9:
Page 506 and 507: 482 Achievement Unlocked: Exactly L
Page 508 and 509: 484 Index boss battles, 319-329 bos
Page 510 and 511: 486 Index Fat Princess, 422 F.E.A.R
Page 512 and 513: 488 Index Little Red Riding Hood, 4
Page 514 and 515: 490 Index resistances/vulnerabiliti
Page 516: 492 Index walking, 25, 34, 94-97, 2
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