Level Up.pdf

Time to Die
Time to Die 339
we are going to talk about the timepiece, we are going to have to examine
the clockworks first.
Another important mechanic is the timing puzzle. Timing puzzles are
mechanics that move. They are perfect for creating tense moments where
the player has to wait for the right moment to dash through whirling blades
or smashing pylons 4 . They cause anticipation for the player as they wait for
the right moment to jump to a moving platform. A timing puzzle should have
the following:
1. The hazard must have a discernable movement pattern. Back and forth,
up and down, zigzag, circular, or figure of eight: it doesn ’ t matter, just
as long as the player can track its movement.
2. The hazard must have predictable timing. Random timing is unfair to
the player, who needs to understand the pattern to be successful.
3. The window of opportunity must be tight, but not impossible. Allow
leeway for the player at the start and close of the window ’ s opening.
4. Use “ tells ” in the world to give the player clues to where it is safe to
stand and where they will be hurt or killed. Bloodstains, grooves in the
floor, lighting and shadows, sound effects, particle effects, geometry,
decorative elements; players notice these things and will learn to use
them as markers for success.
Props are mechanics after a big Thanksgiving dinner; they don ’ t move
unless someone asks them to get off the couch and do the dishes. These
4 To this day, I still get tense thinking about those spinning paddles in the Spectre chamber
of Dragon ’ s Lair ; a scenario which may be the first video game timing puzzle.