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LES SOURCES CONTEMPORAINES DU LAOS / - EFEO-Vientiane

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8287 – 8301 Arts<br />

8287. MCALL Ava L., « More than a pretty cloth : teaching Hmong history and culture<br />

through textile », Theory and Research in Social Education, vol. 25, n° 2, 1997,<br />

p. 137-167.<br />

8288. MCALL Ava L., « Hmong Paj Ntaub : using textile arts to teach young children<br />

about cultures », Social Education, vol. 65, n° 5, 1998, p. 294-296.<br />

8289. MCALL Ava L., « Speaking through cloth : teaching Hmong history and culture<br />

through textile art », Social Studies, vol. 90, n° 5, Sept.-Oct. 1999, p. 230-236.<br />

8290. MORRISON Janet Love, « A rebirth of weaving in Laos », Fiberarts, n° 22,<br />

Summer 1995, p. 18-19.<br />

8291. MURRAY Thomas, « The sacred serpent », Hali, vol. 16, n° 1, 1994, p. 146-147, ill.<br />

8292. NAENNA Patricia, « Textiles and dress ‘Lao and Tai Hill’ », in Jane Turner (ed.),<br />

The dictionary of art, New York, NJ : Grove McMillan Publishers, 1996, vol. 18,<br />

p. 770-773.<br />

8293. NAENNA Patricia, PHANICHPHANT Vithi, « Tai lineage in textile art » (bilingue<br />

thaï-anglais), in S. Prangwatthanakun (ed.), Textiles of Asia, Chiang Mai : Center<br />

for the Promotion of Arts and Culture, Chiang Mai University ; Office of the<br />

National Culture Commission, Ministry of Education, 1993, p. 27-45, ill.<br />

♦ Voir également l’article de Roxanna Ngerntongdee : « The re-discovery of Lao textiles », Living in<br />

Thailand, vol. 17, n° 9, 1988, p. 48-51, qui présente la biographie de P. Cheesman (P. Naenna) et ses<br />

publications.<br />

8294. NANTHAVONGDOUANGSY Viengkham, Weave on our great grandmother loom.<br />

Barker David K., Nanthavongdouangsy Southone (eds.), <strong>Vientiane</strong> : Phaeng Mai<br />

Gallery, 2000, 24 p., ill.<br />

8295. NANTHAVONGDOUANGSY Viengkham, Lao weaving and national dyeing (bilingue<br />

lao-anglais), in Dara Kanlaya, Duangdeuane Bounyavong (eds.), Legends in the<br />

weaving, <strong>Vientiane</strong> : The Group for Promotion of Art and Textiles, 2001, p. 29-51,<br />

ill.<br />

8296. NGERNTONGDEE Roxanna, « The re-discovery of Lao textiles », Living in<br />

Thailand, vol. 17, n° 9, 1988, p. 48-51.<br />

8297. ORATHAI Phondi, « The phikun flower motif : an ancient design on Tai textiles »<br />

(bilingue thaï-anglais), Silk Magazine, vol. 2, n° 14, 1994, p. 88-93, ill.<br />

8298. ORATHAI Phondi, « The sandal flower : an ancient Tai fabric motif » (bilingue<br />

thaï-anglais), Silk Magazine, vol. 2, n° 15, 1994, p. 96-101, ill.<br />

8299. PATAUD CELERIER Philippe, « Portrait : le prince Nith. Une transmission fragile<br />

comme un fil d’or », Globe Mémoires, n° 2, péninsule indochinoise, nov. 1999,<br />

p. 38, ill.<br />

♦ Biographie du prince Nith et son action pour faire revivre à Orléans la broderie au fil d’or.<br />

8300. PETERSON Sally Nina, « Translating experience and the reading of a story cloth »,<br />

Journal of American Folklore, vol. 101, Jan.-March 1988, p. 6-22.<br />

8301. PETERSON Sally Nina, « A cool heart and a watchful mind : creating Paj Ntaub in<br />

the context of community », in Jeannette Lasansky (ed.), Pieced by mother : Symposium<br />

papers, Lewisburg, PA : Oral Traditions Project of the Union County<br />

Historical Society, 1988, p. 35-45.<br />

666

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