6.2 Ontwerpgrepen - Universiteit Twente

286
[2.13] Michael Graves; The Portland Building (1980-1982), uit: Jencks; 1984 (1977); The
language of Post-Modern architecture; Omslag.
[2.14] Security Marine Bank, Wisconsin (1971), uit: Jencks; 1984(1977); The language of
Post-Modern architecture; p.45.
[2.15] Kazumasa Yamashita; Face House (1974), uit: Jencks; 1984(1977); The language
of Post-Modern architecture; p.116.
[2.16] Rem Koolhaas & Zoe Zenghelis; The City of the Captive Globe (1972), uit: Jencks;
1984(1977); The language of Post-Modern architecture; p.120.
[2.17] Ettore Sottsass; Cupboards (1966), uit: Ambasz et al.; 1972; Italy: The New Domestic
Landscape; p.119.
[2.18;2.19] Alessandro Mendini; Redesigning the Modern Movement (1978), uit: Sato;
1988; Alchimia; pp.197;198.
[2.20] Alessandro Mendini, Franco Raggi, Daniela Puppa & Paola Navone; The Banal
Object (1980), uit: Branzi; 1984; The Hot House, Italian New Wave Design; p.124.
[2.21] Alessandro Mendini; Kandissi Sofa (1979), uit: Sato; 1988; Alchimia; p.13.
[2.22] Alessandro Mendini; Proust (1978), via: Liveauctioneers.com; http://www.liveauctioneers.com/item/2773855,
geraadpleegd 7 November 2009.
[2.23] Michele De Lucchi; “Appliances” (1979), uit: Radice; 1984; Memphis; Research,
Experiences, Results, Failures and Successes of New Design; p.22.
[2.24] Michele De Lucchi; Girmi (1979), uit: Branzi; 1984; The Hot House, Italian New
Wave Design; p.139.
[2.25] Philips; Strijkijzer HD1207 (1976), uit: Bakker; 1980; Design from the Netherlands|Design
aus den Niederlanden; p.48.
[2.26;2.27] Alchimia; Occhiomagico (1983), uit: Sato; 1988; Alchimia; p.184.
[2.28] Stiletto; Consumer’s Rest No.11 (1983-1986), uit: Erlhoff et al.; 1990; Designed in
Germany; p.209.
[2.29] Herman Waldenburg; Früchteschale (1986), uit: Borngraeber & van der Geer; 1986;
Prototypen: Avantgarde Design uit/aus Berlin; p.24.
[2.30] Ulrike Holthofer & Axel Kufus; Blue Armchair (1984), uit: Erlhoff et al.; 1990;
Designed in Germany; p.212.
[2.31] Stiletto; Besteck (1986), uit: Borngraeber & van der Geer; 1986; Prototypen:
Avantgarde Design uit/aus Berlin; p.29.
[2.32] Jochen Gros; Tire Sofa (1974), uit: Erlhoff et al.; 1990; Designed in Germany; p.173.
[2.33] Axel Stumpf; Kumpel II (1986), uit: Borngraeber & van der Geer; 1986; Prototypen:
Avantgarde Design uit/aus Berlin; p.22.
[2.34] Kunstflug; Hocker (1989), uit: Hauffe; 1994; Fantasie und Härte; p.71.
[2.35] Max Bill, Hans Gugelot & Paul Hildinger; Ulmer Hocker (1954), uit: Drukker; 2007;
Modernisme/Postmodernisme.
[2.36] Andreas Brandolini; Pony Express (1987), uit: Hauffe; 1994; Fantasie und Härte; p.110
[2.37] Gabriel Kornreich; Lichtkranz Für Die Ewigkeit (1985), uit: Borngraeber & van der
Geer; 1986; Prototypen: Avantgarde Design uit/aus Berlin; p.13.
[2.38] Herbert Jacob Weinand; Design Galerie Weinand (1986), uit: Borngraeber & van
der Geer; 1986; Prototypen: Avantgarde Design uit/aus Berlin; p.29.
[2.39] Andreas Brandolini; Living Room (1987), uit: Erlhoff et al.; 1990; Designed in