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trends and future of sustainable development - TransEco

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Obyerodhyambo, 2006) 1 . Our joint lecture was performed as a duet, starting with an African call-<strong>and</strong>response.Our style was deliberate, an active illustration <strong>of</strong> working together in a way that allowed us tolearn from both Western <strong>and</strong> African knowledge. By October 2006, we had drafted the first conceptnote for the Barbets Duet, a twenty-year experiment in systemic invention. We would draw on African<strong>and</strong> Western knowledge in order to create institutions that could routinely integrate the imperatives <strong>of</strong>the natural world in our decision-making <strong>and</strong> economic rewards.The following year, 2007, I spent three months in East Africa, India <strong>and</strong> Europe, testing ourconcepts with many people. However, by January 2008, it was not clear what should follow, so Istopped in Nairobi to hear what Oby <strong>and</strong> his wife, Hilda, would advise. I told them that our ideas hadlargely been endorsed, <strong>and</strong> asked them what we should do now. Given the surrounding threat <strong>of</strong> civilwar in Kenya, I expected them to say, ‘Let’s wait until this blows over’. I was wrong. Both said, withouthesitation, ‘We just begin. You can see that this is needed now more than ever before.’ They then<strong>of</strong>fered their family l<strong>and</strong> in Western Kenya as the first Barbet Learning Site.Within the next two days, I had flown to Dar es Salaam. I was attending a meeting to test thepenultimate draft <strong>of</strong> the East African scenarios. The group in Dar was drawn by SID, the Society forInternational Development, from all five countries <strong>of</strong> the East African Community. Most were people Ihad worked with over the previous ten years when I facilitated SID’s scenario projects in Kenya,Tanzania <strong>and</strong> Ug<strong>and</strong>a, culminating in the East African scenarios we were just completing. Inevitably,given the role <strong>of</strong> Kenya in the region <strong>and</strong> the crisis then underway, a good part <strong>of</strong> our discussionconcerned events there. However, during small breaks in the meeting, I asked three <strong>of</strong> the people whohad endorsed our concept note in 2007 if they were willing to create Barbet Learning Sites. There waslittle discussion – or time for discussion – but all agreed <strong>and</strong> were joined by a fifth person a few monthslater.That year, 2008, was the start <strong>of</strong> the Barbets Duet. Against the background <strong>of</strong> Kenya’s post-electioncrisis, five people from Kenya, Tanzania <strong>and</strong> Ug<strong>and</strong>a, plus myself from the USA <strong>and</strong> UK, agreed to ‘JustBegin’, putting our own l<strong>and</strong>, communities <strong>and</strong> resources into the experiment. In October 2009,everyone with an East African site met in Mlingotini, Tanzania, for our Invention Convention. By May2010, Woodl<strong>and</strong> Valley Farm in Cornwall, Engl<strong>and</strong>, had joined us <strong>and</strong> I had bought l<strong>and</strong> in upstate NewYork, our first American learning site.This paper looks at the role <strong>of</strong> scenario building work in creating the experimental space we call theBarbets Duet. It will describe the initial thinking behind the experiment <strong>and</strong> some <strong>of</strong> the results so far.Implicitly, this experiment questions existing assumptions about ‘<strong>sustainable</strong> <strong>development</strong>’, while also<strong>of</strong>fering an ambitious alternative model.1 This lecture was held the Royal Society <strong>of</strong> Arts, London on 26 January 2006, jointly sponsored by LIFT(London International Festival <strong>of</strong> Theatre) <strong>and</strong> the Royal Society <strong>of</strong> Arts <strong>and</strong> Manufacturing.97

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