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A new edition of Toland's History of the druids: - Free History Ebooks

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392 NOTES.count for <strong>the</strong> faint similarity which can be traced in some letters<strong>of</strong> <strong>the</strong>ir respective alphabets,5to, Its identity with <strong>the</strong> alphabet <strong>of</strong> Cadmus, The Irish alphabet,as I have already stated, consists <strong>of</strong> 17 letters. With<strong>the</strong> exception <strong>of</strong> <strong>the</strong> letter F, <strong>the</strong> o<strong>the</strong>r16 are toto corpora^ <strong>the</strong>identical 16 letters which Cadmus introduced into Greece.This coincidence can nei<strong>the</strong>r have proceeded from accident nordesign, but from <strong>the</strong> original and absolute identity <strong>of</strong> <strong>the</strong> alpha-Lets <strong>the</strong>mselves.If <strong>the</strong> Irish had culled or selected <strong>the</strong>ir alphabetfrom <strong>the</strong> Roman one, ashas been foolishly imagined, byTvhat miracle could <strong>the</strong>y have hit on <strong>the</strong> identical letters <strong>of</strong> Cadmus,and rejected all <strong>the</strong> rest? Had <strong>the</strong>y thrown 16 dice, 16times, and turned up <strong>the</strong> same number every time, it would nothave been so marvellous as this. The identity <strong>of</strong> <strong>the</strong> Cadmeanand Irish alphabet is not <strong>the</strong>refore <strong>the</strong> effect <strong>of</strong> chance or accident.Nei<strong>the</strong>r is it <strong>the</strong> effect <strong>of</strong> design. Had <strong>the</strong> Irish framedthis alphabet with a design to make it coincide exactly with that<strong>of</strong> Cadmus, <strong>the</strong>y would, at least, have been possessed <strong>of</strong> as muchcommon sense, as to leave out <strong>the</strong> letter F,6to. The paucity <strong>of</strong> its letters. If St. Patrick introduced <strong>the</strong>JRoman alphabet, why were <strong>the</strong> letters j, *:, o, f, x, y, and zomitted ?For k <strong>the</strong>y had no occasion, <strong>the</strong>ir c being always pronouncedhard. J is expressed by d put before i or ^, thus DiaIs pronounced Jeea. There are no such sounds in <strong>the</strong> Celticas those expressed by c, ;r, or z. The combinations hh and mhexpress f, dh and gh^ express y. Though <strong>the</strong>re was no occasionfor K, c, X, and z, stillJ, r, and y, were <strong>of</strong> primary necessity,<strong>the</strong> Celts, or Irish, having no such letters, and being obligedto express <strong>the</strong>m by combinations or substitutions. But <strong>the</strong>reis betwixt every written language and its alphabet a certain aptitudeand affinity which peculiarly adapts<strong>the</strong>m to each o<strong>the</strong>r.The peculiar alphabet <strong>of</strong> a language is its most graceful and appropriatedress. Every o<strong>the</strong>r alphabet, when applied to it, isaukward, forced, and unnatural. Were <strong>the</strong> English languagewritten in Greek or Hebrew characters, it would well nigh go<strong>the</strong> length <strong>of</strong> ruining its whole forui and orthography.The same

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