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The Monastic Rules of Visigothic Iberia - eTheses Repository ...

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versa. <strong>The</strong> interest stems from the relationship between the text and its audience on a variety<br />

<strong>of</strong> levels, but always from the point <strong>of</strong> view <strong>of</strong> audience reaction. In this sense the text must<br />

be seen as an immutable participant in the relationship between it and its audience, and any<br />

mutability <strong>of</strong> experience is wholly one-sided. Second, discourse in the Foucauldian tradition,<br />

at least, is implicit <strong>of</strong> a relationship <strong>of</strong> authority, and this fits nicely with the idea <strong>of</strong> a<br />

monastic rule as a preceptive text. Of course, many <strong>of</strong> the ideas <strong>of</strong> Foucault have been<br />

subject to criticism and this thesis does not aim to be a philosophical critique (for which, see<br />

Schmitz 2007: 140-158). However, it is important to recognise that at least some theories <strong>of</strong><br />

discourse give the nod to an integrated relationship <strong>of</strong> power and authority.<br />

<strong>The</strong> terms „text‟ and „audience‟ are by their nature mutable. Even within the confines<br />

<strong>of</strong> a seventh-century <strong>Visigothic</strong> monastery, which at first sight constitutes a rather limited<br />

audience, both must be understood to refer to a range <strong>of</strong> meanings. <strong>The</strong> text, in this case,<br />

refers <strong>of</strong> course to the monastic rule. However, this was just as likely to be a written<br />

document that was read personally and silently, as a text that was encountered by some <strong>of</strong> its<br />

audience on an oral basis in a group setting, being read aloud by someone else. <strong>The</strong> concept<br />

<strong>of</strong> „audience‟, moreover, is one that has generally been the subject <strong>of</strong> invigorating discussion,<br />

and various scholars have all asked the question <strong>of</strong> whom works were intended to<br />

communicate with and how they achieved this. 5 Indeed, an appreciation for audience<br />

interpretation rather than authorial intention now seems to be a prominent part <strong>of</strong> mainstream<br />

academia rather than the anthropological sideline it perhaps once was, and this is a healthy<br />

development.<br />

5 For example, Lawless (1987: 135-147); Silvan (1988); Cunningham (1990: 53-64); McKitterick<br />

(1989: 227-243); Van Egmond (1999); Taylor (2002); Kotzé (2004); Maxwell (2006).<br />

iv

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