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The Monastic Rules of Visigothic Iberia - eTheses Repository ...

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their monastic rules were not written in this high register does not mean that this language<br />

would have been perceived as somehow „incorrect or „bad‟ Latin. <strong>The</strong> problem <strong>of</strong> using<br />

terms such as „standard‟ versus „non-standard‟ is that they are multivalent; any author, or<br />

indeed speaker in general, will have as many standards <strong>of</strong> language as audience. In essence,<br />

whether a language is standard or not is entirely in the expectations and abilities <strong>of</strong> the<br />

recipient. Take, for example, the opening lines <strong>of</strong> Apuleius‟s novel, <strong>The</strong> Golden Ass:<br />

“At ego tibi sermone isto Milesio varias fabulas conseram auresque tuas benivolas<br />

lepido susurro permulceam — modo si papyrum Aegyptiam argutia Nilotici calami<br />

inscriptam non spreveris inspicere — figuras fortunasque hominum in alias imagines<br />

conversas et in se rursus mutuo nexu refectas ut mireris [...] En ecce praefamur veniam,<br />

siquid exotici ac forensis sermonis rudis locutor <strong>of</strong>fendero. Iam haec equidem ipsa vocis<br />

immutatio desultoriae scientiae stilo quem accessimus respondet”.<br />

Apuleius here makes reference to his sermo Milesius, to the Egyptian way <strong>of</strong> telling<br />

stories and to his exotic speech. Yet despite the apologia, Apuleius highlights well that the<br />

only reason it might sound strange is because it is not written in the register expected by the<br />

listeners (exotici ac forensis sermonis).<br />

If the idea <strong>of</strong> language „standard‟ is too vague for academic study, then the idea <strong>of</strong><br />

„register‟ is not. When early Christian authors use the various adjectives to describe their<br />

language, they are roughly synonymous: simplex, plebeius, pedestrius, humilis etc. <strong>The</strong>se<br />

hint not at what might have once been called a „vulgar‟ language, but rather one that remains<br />

unaffected by a heavily adorned literary style, widely intelligible and therefore more<br />

reflective <strong>of</strong> the spoken language than other, more unnaturally manipulated, texts. A couple<br />

198

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