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The Monastic Rules of Visigothic Iberia - eTheses Repository ...

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to their audience and, as demonstrated by the discussion surrounding the tumor, influenced<br />

by contemporary literary and educational movements and as such are reflective <strong>of</strong> literary<br />

developments <strong>of</strong> the time.<br />

Literary histories, then, have not been kind to monastic rules. As one <strong>of</strong> the few<br />

examples <strong>of</strong> a genre that was created by Christianity, rather than a pre-existing one that was<br />

simply adapted by it, they perhaps deserve more recognition merely on this basis alone.<br />

<strong>The</strong>ir style and techniques are such that they have been employed purposefully by their<br />

authors with the intended audience in mind and in this sense it would appear that even the<br />

most uneducated listener would have been able to have some sort <strong>of</strong> discourse with them in<br />

terms <strong>of</strong> literary reception. Recognition <strong>of</strong> this is concomitant with the acknowledgement<br />

that they are very suited for a community centred on oral recitation and aural reception, as<br />

was proposed in Chapter Three. <strong>The</strong> above review has been consciously brief, but<br />

nevertheless demonstrates that the monastic rules have much to divulge to their investigators<br />

regarding literary culture <strong>of</strong> the time, highlighting not only issues <strong>of</strong> continuity with the<br />

classical past, but also features <strong>of</strong> synchrony, placing them firmly as products <strong>of</strong> their time<br />

with much to reveal about the culture from which they came.<br />

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