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The Monastic Rules of Visigothic Iberia - eTheses Repository ...

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4.12 Conclusions<br />

This chapter has attempted to answer various questions. This has included attempting<br />

to place the monastic rules in the proper context <strong>of</strong> their literary history, and also<br />

investigating the types <strong>of</strong> literary techniques utilised by their authors. <strong>The</strong> answer to the first<br />

question is that first and foremost the monastic rules are examples <strong>of</strong> technical literature,<br />

perhaps a peculiarly Christian genre, but one that has literary antecedents throughout Latin<br />

(and, indeed, Greek) literature. In common with many technical texts, they are written in a<br />

lower register <strong>of</strong> language than much Classical prose, meaning that their language <strong>of</strong>ten has<br />

more in common stylistically with the spoken language. However, this is not to say that they<br />

do not have higher pretensions, and some <strong>of</strong> the literary techniques employed are ones that<br />

can be found in more formal, higher register texts <strong>of</strong> all periods. Nevertheless, the literary<br />

techniques employed are normally restricted to those that were suitable for the audience:<br />

phonologically pleasing or else word-play on a typically superficial level.<br />

In this sense, they are texts that possess both style and literary technique and are,<br />

moreover, perfectly suited to their audience. <strong>The</strong>re would be little point in writing a school<br />

science textbook, for example, in Shakespearian English because it would likely alienate<br />

most <strong>of</strong> its audience and, worse, fail in its educational aim. Similarly, there was no point in<br />

Isidore writing his monastic rule in a metrical imitation <strong>of</strong> Virgilian prose, regardless <strong>of</strong> his<br />

capabilities to do so or not, because it would fail in its aim <strong>of</strong> instructing most <strong>of</strong> its audience.<br />

If their posthumous judgement can be ascertained from their absence from modern scholarly<br />

inquiry, then it seems to be an unfair judgement seeing as the texts were only „doing their<br />

job‟ and, it can be supposed, succeeding in it. Not only is this judgement unfair, but it is also<br />

unfounded: the monastic rules might not be, for most tastes, august Classical Latin, but they<br />

are certainly not without their literary merits. <strong>The</strong>y are rich in techniques that would appeal<br />

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