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The Monastic Rules of Visigothic Iberia - eTheses Repository ...

The Monastic Rules of Visigothic Iberia - eTheses Repository ...

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purposeful „manipulation‟ <strong>of</strong> the text put there by the author in a conscious attempt to achieve<br />

an effect. <strong>The</strong> situation sums up neatly the fact that „style‟ is not confined to high-register<br />

language.<br />

It will be a useful exercise to compare the monastic rules with other technical texts, to<br />

see if elements <strong>of</strong> commonality can help illuminate aspects <strong>of</strong> the text‟s stylistic nature;<br />

Cato‟s De agricultura, an agricultural handbook written c. 160 BC, will be taken here as an<br />

example. <strong>The</strong> is no specific reason for choosing this text above any others, apart from the<br />

fact that, with the monastic rules, they represent some <strong>of</strong> the first and last examples <strong>of</strong> Latin<br />

technical prose written by an author who had a language recognisable as Latin as their native<br />

tongue. <strong>The</strong> fact that a comparison can emphasise similarity through such diachrony seems<br />

fitting, and despite their differences in age, audience and author, the similarities between<br />

them will prove insightful. As with most technical texts, it is for its language that the De<br />

agricultura has been most purposefully studied (Till 1968). With the exception <strong>of</strong> the short<br />

preface, which is generally accepted to be purposefully stylistic and possibly drawing upon<br />

Greek rhetorical practice, Cato‟s text has been described as “plain in the extreme” (Astin<br />

1978: 190), and one that “has no place for literary ornaments” (Gratwick 1983: 88).<br />

<strong>The</strong>re are certain traits <strong>of</strong> Cato‟s prose style that are <strong>of</strong> interest which highlight features<br />

indicative <strong>of</strong> what might be called an oral style. An oral style is taken here to imply the fact<br />

that if a work is written in a less-manipulated register <strong>of</strong> language then it may, consciously or<br />

unconsciously, make use <strong>of</strong> elements that are more reflective <strong>of</strong> the spoken language rather<br />

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