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CODEN HFLJFV<br />
Sadr`aj<br />
@ANR<br />
Kristijan Mili}: NOVI FILM STRAVE 3<br />
KRONOLOGIJA NOVOG FILMA STRAVE (IZBOR) 17<br />
AUTORI NOVOG FILMA STRAVE (IZBOR) 18<br />
Tomislav ^egir: POTISNUTA DIVLJINA — POSTVESTERN 19<br />
KRONOLOGIJA POSTVESTERNA 27<br />
LJETOPISOV RAZGOVOR<br />
Midhat Ajanovi}: RAZGOVOR S JURIJEM NORSTEINOM: ANIMACIJA JE<br />
REALISTI^NA KAO I SAN 28<br />
KINEMATOGRAFSKA POLITIKA: MARKETING,<br />
PRODUKCIJA<br />
Damir Primorac: MARKETING U FILMSKOJ INDUSTRIJI 37<br />
Vedran Mihleti}: STUDIJ FILMSKE PRODUKCIJE 58<br />
ISPRAVCI 70<br />
LJETOPISOV LJETOPIS<br />
Daniel Rafaeli}: KRONIKA studeni 2001 — sije~anj <strong>2002</strong>. 71<br />
BIBLIOGRAFIJA 74<br />
FESTIVALI / CIKLUSI<br />
Diana Nenadi}: INTIMA I KREACIJA PROTIV TRADICIJE I IMITACIJE —<br />
DARUVAR 2001 75<br />
FILMOGRAFIJA REVIJE 33/2001 80<br />
Rada [e{i}: AMSTERDAMSKI FESTIVAL DOKUMENTARNOG FILMA 84<br />
REPERTOAR<br />
Uredio: Igor Tomljanovi}<br />
KINOREPERTOAR 89<br />
VIDEOPREMIJERE 114<br />
TUMA^ENJA, TUMA^ILA^KA NESLAGANJA<br />
Diana Nenadi}: TARROVA PROKLETSTVA 117<br />
TARROVA FILMOGRAFIJA 122<br />
Tomislav Brlek: FILM, KRITIKA, KONTEKST: SAMI 123<br />
Damir Radi}: PORNOFILSKA SEKSUALNOST NA UDARU FEMINISTI^KE<br />
KRITIKE 130<br />
Bruno Kragi}: O KUPUSU I KRALJEVIMA... — RAZMI[LJANJA UZ FILM<br />
GOSPODAR PRSTENOVA 134<br />
Marijan Krivak: ONO MALO DU[E — FASSBINDER (1945-1982), DVORANA<br />
KINOTEKE, ZAGREB 137<br />
FASSBINDEROVA FILMOGRAFIJA 141<br />
Elvis Leni}: FILMOVI KENNETHA ANGERA 142<br />
FILMOGRAFIJA KENNETHA ANGERA 146<br />
SUVREMENE KINEMATOGRAFIJE<br />
Dragan Rube{a: SUVREMENI JAPANSKI FILM 147<br />
Dragan Rube{a: SHINJI AOYAMA: JAPANAC KOJI VOLI JOHNA FORDA 151<br />
AOYAMINA FILMOGRAFIJA 152<br />
KNJIGE<br />
Bruno Kragi}: KRE[IMIR MIKI]: FILM U NASTAVI MEDIJSKE KULTURE 153<br />
Nikica Gili}: KRITI^KA NARATOLOGIJA NA DJELU (SASHA VOJKOVIC:<br />
SUBJECTIVITY IN THE NEW HOLLYWOOD CINEMA) 155<br />
STUDIJE I ISTRA@IVANJA<br />
Nata{a Govedi}: IGRA BEZ OBJEKTA: GLUMA U RAZLI^ITIM MEDIJIMA I<br />
GLUMA^KA INTERMEDIJALNOST 160<br />
Domagoj Lozina: POLAZI[TE SNIMANJA: SVJETLO 170<br />
Vladimir Gojun: ELIPSE I NJIHOVA RETORI^NOST U FILMU KONCERT<br />
BRANKA BELANA 181<br />
MAJCENOVA OSTAV[TINA<br />
UVODNA NAPOMENA 188<br />
Vjekoslav Majcen: HRVATSKI NEPROFESIJSKI FILM (1928-1998) 189<br />
Vjekoslav Majcen: FILMOGRAFIJA ZVONIMIRA ROGOZA 204<br />
Vjekoslav Majcen: BIBLIOGRAFIJA LJUBOMIRA MARAKOVI]A 206<br />
ABSTRACTS 209<br />
O SURADNICIMA 220<br />
Contents<br />
GENRE<br />
Kristijan Mili}: NEW HORROR FILMS 3<br />
NEW HORROR FILMS — CHRONOLOGICAL FILMOGRAPHY<br />
(A SELECTION) 17<br />
NEW HORROR FILMS — AUTHORS (A SELECTION) 18<br />
Tomislav ^egir: SUPRESSED WILDERNESS — POST-WESTERN 19<br />
POST-WESTERN — CHRONOLOGICAL FILMOGRAPHY 27<br />
CHRONICLE’S INTERVIEW<br />
Midhat Ajanovi}: INTERVIEW WITH YURI NORSTEIN: ANIMATION IS AS<br />
GENUINE AS A DREAM 28<br />
CINEMA POLICY: MARKETING, PRODUCTION<br />
MENAGEMENT<br />
Damir Primorac: MARKETING IN FILM DISTRIBUTION 37<br />
Vedran Mihleti}: FILM PRODUCTION MENAGEMENT STUDY (CONCEPT<br />
AND CURRICULUM) 58<br />
ERRATA 70<br />
CHRONICLE’S CHRONICLE<br />
Daniel Rafaeli}: CHRONICLE November 2001 — January <strong>2002</strong>. 71<br />
BIBLIOGRAPHY 74<br />
FESTIVALS / SPECIAL PROGRAMS<br />
Diana Nenadi}: INTIMACY AND CREATION AGAINST TRADITION AND<br />
IMITATION — DARUVAR 2001 75<br />
FILMOGRAPHY — DARUVAR 2001 80<br />
Rada [e{i}: INTERNATIONAL DOCUMENTARY FILMFESTIVAL<br />
AMSTERDAM, 2001 84<br />
REPERTOIRE<br />
Edited by: Igor Tomljanovi}<br />
FILM REPERTOIRE 89<br />
VIDEO PREMIERES 114<br />
INTERPRETATIONS, CONTESTS<br />
Diana Nenadi}: BÉLA TARR’S DAMNATIONS 117<br />
TARR’S FILMOGRAPHY 122<br />
Tomislav Brlek: FILM, REVIEWS, CONTEXT: ALONE BY LUCAS NOLA 123<br />
Damir Radi}: PORNOPHILE’S SEXUALITY ATTACKED BY FEMINIST<br />
CRITICISM 130<br />
Bruno Kragi}: ON CABBAGES AND KINGS... — MUSINGS AT THE LORD OF<br />
THE RINGS 134<br />
Marijan Krivak: A PIECE OF SOUL — R. W. FASSBINDER 137<br />
FASSBINDER’S FILMOGRAPHY 141<br />
Elvis Leni}: KENNETH ANGER’S FILMS 142<br />
KENNETH ANGER’S FILMOGRAPHY 146<br />
CONTEMPORARY NATIONAL CINEMAS<br />
Dragan Rube{a: CONTEMPORARY JAPAN FILM 147<br />
Dragan Rube{a: SHINJI AOYAMA: ’A JAP WHO LOVES JOHN FORD’ 151<br />
AOYAMA’S FILMOGRAPHY 152<br />
BOOK REVIEWS<br />
Bruno Kragi}: KRE[IMIR MIKI]: FILM IN TEACHING MEDIA CULTURE<br />
(2001, ZAGREB: EDUCA) 153<br />
Nikica Gili}: CRITICAL NARRATOLOGY AT WORK (SASHA VOJKOVIC,<br />
2001, SUBJECTIVITY IN THE NEW HOLLYWOOD CINEMA, AMSTERDAM:<br />
ASCA PRESS) 155<br />
STUDIES AND RESEARCH<br />
Nata{a Govedi}: THE GAME WITHOUT THE OBJECT: ACTING IN<br />
DIFFERENT MEDIA AND INTERMEDIARY REFLECTIONS ON THE ART OF<br />
ACTING 160<br />
Domagoj Lozina: ON CINEMATOGRAPHY: LIGHTING 170<br />
Vladimir Gojun: ELLIPSIS’ AND THEIR RETHORICAL QUALITY IN THE<br />
FILM KONCERT BY BRANKO BELAN 181<br />
MAJCEN’S INHERITANCE<br />
INTRODUCTORY REMARK 188<br />
Vjekoslav Majcen: CROATIAN NONPROFESSIONAL FILM (1928-1998) 189<br />
Vjekoslav Majcen: ZVONIMIR ROGOZ FILMOGRAPHY 204<br />
Vjekoslav Majcen: LJUBOMIR MARAKOVI] BIBLIOGRAPHY 206<br />
ABSTRACTS 209<br />
ON CONTRIBUTORS 220
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