34/2003 - HFS

Sa`eciAbstractsPORTRET: FADIL HAD@I]Jurica Pavi~i}Igrani filmovi Fadila Had`i}aUDK: 791.44.071.1 Had`i}, F.U hrvatskoj kinematografiji igranofilmski opus Fadila Had-`i}a odska~e ponajprije opsegom — re`irao je ~etrnaest cjelove~ernjihfilmova, a upravo proizvodi petnaesti. Odlika jeredateljeva opusa tako|er heterogenost i neujedna~enost: unjemu ima jako dobrih filmova, kao {to su Slu`beni polo`aj,Tri sata za ljubav ili Protest, ali i vrlo lo{ih naslova; neki suHad`i}evi filmovi bili kriti~ki i festivalski iznimno uspje{ni,poput Novinara ili Slu`benog polo`aja, neki su pak propadalikod kritike, neki su bili pravi hitovi, poput Divljih an|elaili Desanta na Drvar, neki su bili takvi da su te{ko mogli privu}iinteres ma i kojeg segmenta gledateljstva. Had`i}evi sufilmovi naposljetku heterogeni i `anrovski i tematski. Odpartizanskoga spektakla (Desant na Drvar), ratnoga trilera(Abeceda straha) i detekcijskog filma (Druga strana medalje),preko povijesnoga filma (Sarajevski atentat) crnovalovskihdru{tvenokriti~kih drama (Protest), pa do artfilmskih eksperimenata(Idu dani), ti su filmovi zahva}ali najrazli~itije `anrove.Slijedi analiza svakoga Had`i}eva filma, osim ratnogKonjuh planinom, pri ~emu autor posebnu pozornost posve-}uje Desantu na Drvar, koji ocjenjuje kao, uz Bulaji}evu Kozaru,klju~no djelo za konstituiranje poetike ’superpartizanskog’pod`anra te skupini dru{tvenokriti~kih (’feljtonisti~kih’)filmova. Naime, Had`i}ev je redateljski image ponajprijevezan uz takva djela, a prvi me|u njima — Slu`beni polo`ajujedno je i njegov najuspje{niji film uop}e. Godine1964. nagra|en je u Puli Velikom zlatnom arenom za filmgodine, a autor ga ocjenjuje kao mo`da redateljev najuspjelijite utvr|uje da ujedno za~inje mnoge stalne motive Had-`i}eva opusa (ulogu istra`iva~koga novinarstva u ideologiziranomdru{tvu, lik revolucionarnog puritanca koji nailazi nanerazumijevanje, motiva kompromitirana pojedinca kojegaprogoni vlastita pro{lost). Od srodnih takvih djela slijedeProtest, re`ijski vjerojatno najnadahnutiji Had`i}ev film, poeti~kisrodan modernizmau, s vi{e vremenskih razina i pripovjednihperspektiva, Tri sata za ljubav, koji le`ernijim tonomodudara od ostalih socijalnokriti~kih djela, Lov na jelene,Novinar, nastao nakon dulje, sedmogodi{nje stanke uHad`i}evu filmskom radu te Ambasador, gra|anska obiteljskadrama iz miljea komunisti~ke elite, a doticaje s tim te-PORTRAIT: FADIL HAD@I]Jurica Pavi~i}Fadil Had`i}’s feature filmsUDK: 791.44.071.1 Had`i}, F.In Croatian cinema the feature films of Fadil Had`i} standout first of all because of their number — he directed fourteenfeature length films, and is currently making numberfifteen. His work is characterized by heterogeneity and unevenness;he made some very good films, like Slu`beni polo-`aj (Official Position), Tri sata za ljubav (Three Hours forLove) or Protest (The Protest), but also some very bad ones;some of his films were very successful, both with the criticsand at festivals, like Novinar (The Journalist) or Slu`beni polo`aj(Official Position), others were considered by the criticsto be complete failures; some were big hits like Divljian|eli (Wild Angels) or Desant na Drvar (Drvar ParachuteLanding), and others could hardly interest any segment ofaudience. Had`i}’s films are heterogeneous both in terms ofgenre and theme. They range from the partisan war spectacle(Drvar Parachute Landing), war thriller Abeceda straha(The Alphabet of Fear) and detective story Druga strana medalje(The Reverse of the Medal), through historical film Sarajevskiatentat (The Assassination in Sarajevo) and blackfilm drama expressing criticism of society (The Protest), toexperimenting with art film Idu dani (As Days Go By). Theintroduction is continued by analysis of all his films whichfollow, except the war film Konjuh planinom (Along the KonjuhMountain). The author pays a special attention to DrvarParachute Landing, which he sees, together with Kozaraby Bulaji}, as a key film for constituting the poetics of ’superpartisan’subgenre, and to a group of films expressingcriticism of society. The image of Had`i} as a director is primarilylinked to those films, and the first among them is OfficialPosition, which is at the same time his most successfulfilm so far. It won Velika Zlatna arena award (Grand Prix)at Pula Film Festival in 1964 as the film of the year, and theauthor also rates it as the most successful of Had`i}’s filmsand also states that it starts many permanent motifs of hiswork (the role of investigating journalism in the society ofideology, a revolutionary puritan character who’s not understood,a motif of a discredited individual haunted by hisown past). Similar to this film are The Protest, the film inwhich Had`i} was most inspired as director, poetically relatedto modernism, with several time levels and story tellingperspectives; Three Hours for Love, whose easy-going tone221H R V A T S K I F I L M S K I L J E T O P I S 33/2003.