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Philo of Alexandria - Books and Journals

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critical studies 1998 75<br />

9840.F.Deutsch,‘Laphilautiechez<strong>Philo</strong>nd’Alex<strong>and</strong>rie,’inC.Lévy<br />

(ed.), <strong>Philo</strong>n d’Alex<strong>and</strong>rie et le langage de la philosophie, Monothéismes et<br />

<strong>Philo</strong>sophie (Turnhout 1998) 87–98.<br />

The term ιλαυτία does not originate with <strong>Philo</strong>, but he does use it rather<br />

frequently. For this usage he is indebted to Plato <strong>and</strong> Aristotle, but he adds to<br />

the reflection <strong>of</strong> his predecessors the inspiration <strong>of</strong> his Jewish convictions, as the<br />

author shows in discussing the more important <strong>Philo</strong>nic texts on this subject,<br />

which concentrate on two major figures, Cain <strong>and</strong> Pharaoh (Det. 32, 78, 103,<br />

Sacr. 51, Conf. 128, Post. 35, Leg. 3.12, Cher. 74). As negation <strong>of</strong> the God <strong>and</strong><br />

the Beautiful, philautia above all focuses on leisure <strong>and</strong> pleasure. In regarding<br />

himself as the cause <strong>of</strong> all things, the philautos pursues every path <strong>of</strong> unreason,<br />

illustrating the confrontation <strong>of</strong> the sensible <strong>and</strong> the intelligible. When philautia<br />

holds someone in its grip, the person flees towards the passions <strong>and</strong> so distances<br />

himself from God. (JR)<br />

9841. J. Dillon, ‘Asômatos: Nuances <strong>of</strong> Incorporeality in <strong>Philo</strong>,’ in C.<br />

Lévy (ed.), <strong>Philo</strong>n d’Alex<strong>and</strong>rie et le langage de la philosophie, Monothéismes<br />

et <strong>Philo</strong>sophie (Turnhout 1998) 99–110.<br />

With reference to Gig. 8,Plant. 12, <strong>and</strong> Opif. 73 (where <strong>Philo</strong> seems to<br />

imply that the stars, as pure intellects, are incorporeal), Fug. 133 (the mind as<br />

νερμν κα πεπυρωμένν πνεμα), Opif. 31 (where <strong>Philo</strong> seems to make<br />

a gradual difference between the super-celestial, paradigmatic light <strong>and</strong> the<br />

celestial lights), Conf. 176–177 (angels <strong>and</strong> heavenly bodies called σώματι),<br />

Leg. 1.82<strong>and</strong>Somn. 1.36 (two peculiar uses <strong>of</strong> the term σώματς), Dillon<br />

concludes (p. 109) that ‘for <strong>Philo</strong>, as part <strong>of</strong> his heritage <strong>of</strong> Antiochian Platonism,<br />

the substance <strong>of</strong> not only the immanent Logos <strong>and</strong> the individual intellect, which<br />

arenotperceptibletooursenses,butalsotheheavenlybodies,whichare...<br />

accessible to our vision, can be properly ascribed as ‘incorporeal’, by contrast<br />

with the corporeality <strong>of</strong> sublunary beings, while also being composed <strong>of</strong> pure<br />

fire or pneuma. This can be seen as a piece <strong>of</strong> muddle-headedness, <strong>and</strong> as a<br />

compromise with Stoic materialism, but it can also—more pr<strong>of</strong>itably in my<br />

view—be seen as an indication that the boundary between the corporeal <strong>and</strong><br />

the incorporeal was not drawn by many ancient thinkers where we might think<br />

it should be drawn.’ (HMK)<br />

9842. K. Dowden, ‘Cupid <strong>and</strong> Psyche: a Question <strong>of</strong> the Vision <strong>of</strong><br />

Apuleius,’ in M. Zimmerman (ed.), Aspects <strong>of</strong> the Golden Ass. Vol. II<br />

Cupid <strong>and</strong> Psyche (Groningen 1998) 1–22, esp. 14–17.<br />

In trying to place Apuleius’ story <strong>of</strong> Cupid <strong>and</strong> Psyche in its intellectual<br />

context, the author argues that Apuleius, the Middle Platonist <strong>and</strong> man with an<br />

interest in the soul <strong>and</strong> in mystery religions, represents the mainstream on which<br />

<strong>Philo</strong> (<strong>and</strong> Valentinus) drew when developing his allegories. A brief discussion<br />

on the theme <strong>of</strong> sleep in <strong>Philo</strong> illustrates this point. (DTR)

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