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Philo of Alexandria - Books and Journals

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critical studies 2001 177<br />

class. Part Two, on Jewish culture, includes his discussion <strong>of</strong> the birth <strong>and</strong> raising<br />

<strong>of</strong> Jewish children, the centrality <strong>of</strong> Scripture in his thought <strong>and</strong> his ideas about<br />

Divine language, his use <strong>of</strong> parables, <strong>and</strong> his portrayal <strong>of</strong> the connection between<br />

Nature <strong>and</strong> the Jewish way <strong>of</strong> life. Reviews: E. Birnbaum, SPhA 14 (2002) 186–<br />

193; F. Calabi, Adamant 8 (2002) 354–357; L. H. Feldman, SCI 21 (2002) 314–<br />

318; J. M. G. Barclay, JJS 54 (2003) 154–156; A. C. Geljon, JSJ 34 (2003) 102–<br />

105; F. J. Murphy, CBQ 65 (2003) 647–648; R. Vicent, Sales 65 (2003) 186–187;<br />

J. Neusner, RRJ 8 (2005) 331–333. (EB)<br />

20147.D.Noy,‘‘ASightUnfittoSee’:JewishReactionstotheRoman<br />

Imperial Cult,’ Classics Irel<strong>and</strong> 8 (2001) 68–83.<br />

Taking his point <strong>of</strong> departure in Gaius Caligula’s decision to have a statue <strong>of</strong><br />

himself installed in the Jewish Temple at Jerusalem, the author discusses this <strong>and</strong><br />

other episodes in order to reach a conclusion on the general Jewish reactions<br />

to the imperial cult. Using the works <strong>of</strong> <strong>Philo</strong>, Josephus, the Rabbis <strong>and</strong> some<br />

papyri <strong>and</strong> inscriptions, the author’s main thesis is that the case <strong>of</strong> Caligula was<br />

exceptional, <strong>and</strong> that usually there was no pressure from central authorities for<br />

Jews to compromise with the cult, although the issue may have been less clearcut<br />

at a local level. In general, the Jews seem to have been content to ignore the<br />

imperial cult, <strong>and</strong> the proponents <strong>of</strong> the cult were content to ignore the Jews.<br />

(TS)<br />

20148. M.Osman´ski, Logos i stworzenie. Filoz<strong>of</strong>iczna interpretacja<br />

traktau De opificio mundi Filona z Aleks<strong>and</strong>rii [Polish: Logos <strong>and</strong> creation.<br />

<strong>Philo</strong>sophical Interpretation <strong>of</strong> the treatise De opificio mundi <strong>of</strong> <strong>Philo</strong> <strong>of</strong><br />

<strong>Alex<strong>and</strong>ria</strong>] (Lublin 2001).<br />

In this book the author focuses on the problem <strong>of</strong> Logos in Opif. <strong>and</strong>its<br />

place within <strong>Philo</strong>’s conception <strong>of</strong> creation. The main analysis is preceded by<br />

a brief exposition <strong>of</strong> <strong>Philo</strong>’s life, his philosophical background, the structure <strong>and</strong><br />

place <strong>of</strong> the treatise in the <strong>Philo</strong>nic corpus <strong>and</strong> the sources <strong>of</strong> his conception <strong>of</strong><br />

the Logos. In the first chapter two main questions are raised: (1) Is the Logos<br />

to be identified with or distinguished from God? (2) Is the Logos created or<br />

not created? In the next chapter questions concerning the immanent Logos are<br />

raised: (1) Is it material or immaterial? (2) How can its relation to nature or the<br />

law <strong>of</strong> nature be described? In the final chapter the Logos’ relation to human<br />

beings is analysed. Each <strong>of</strong> these questions is preceded by a review <strong>of</strong> scholarly<br />

positions on the subject. Although the author refrains from giving definitive<br />

answers to these problems, he argues for an interpretation <strong>of</strong> the Logos in <strong>Philo</strong><br />

as ‘God’s mind turned towards creation’. Within the Logos thus conceived he<br />

distinguishes four aspects: (1) formal, i.e. thinking itself; (2) material, i.e. the<br />

ideas conceived; (3) unifying or arranging, i.e. the unity <strong>of</strong> all the ideas forming<br />

one archetype; (4) creative, i.e. creating the sensible world according to the<br />

archetype. In a formal sense the Logos is the principle <strong>of</strong> the unity <strong>of</strong> these<br />

four aspects in the act <strong>of</strong> creation. It seems that the manifestation <strong>of</strong> these four

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