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Philo of Alexandria - Books and Journals

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critical studies 2004 311<br />

20466. G. Lacerenza, ‘Fra Roma e Gerusalemme: l’immagine di<br />

Puteoli e dei Campi Flegrei in Filone Aless<strong>and</strong>rino e in Flavio Giuseppe,’<br />

in L. Cirillo <strong>and</strong> G. Rinaldi (edd.), Roma, la Campania e l’Oriente<br />

cristiano antico. Atti del Convegno di Studi, Napoli 9–11 ottobre 2000<br />

(Naples 2004) 97–128.<br />

A discussion <strong>of</strong> the passages in <strong>Philo</strong> <strong>and</strong> Josephus where reference is made<br />

to the town <strong>of</strong> Puteoli (also named Dikaiarcheia) or the adjoining area (the<br />

Campi Phlaegrei): Josephus BJ 2.103–104, Ant. 17.328–329, 18.159–161 (a passage<br />

speaking about <strong>Philo</strong>’s brother Alex<strong>and</strong>er, alabarch <strong>of</strong> <strong>Alex<strong>and</strong>ria</strong> <strong>and</strong><br />

father <strong>of</strong> Tiberius Julius Alex<strong>and</strong>er), 18.248–249, 19.5–6, Vita 3.13–16; <strong>Philo</strong><br />

Flacc. 26–27, Legat. 185–186 <strong>and</strong> Legat. 14. The information about a Jewish<br />

community in Puteoli (cf. Acts 28:13), mainly to be derived from Josephus,<br />

is not very substantial nor very certain. In any case, at least four persons<br />

<strong>of</strong> importance in Jewish history <strong>of</strong> the Hellenistic epoch made their way<br />

through Puteoli: King Agrippa I, Herod Antipas, <strong>Philo</strong> himself, <strong>and</strong> Josephus.<br />

(HMK)<br />

20467.R.A.Layton,DidymustheBlind<strong>and</strong>hisCircleinLate-Antique<br />

<strong>Alex<strong>and</strong>ria</strong> (Urbana, Il. 2004), esp. 144–151.<br />

Didymus’ reading <strong>of</strong> Abraham’s migration (Gen 12) is based on <strong>Philo</strong>’s interpretation.<br />

For both exegetes Abraham’s journey is a model <strong>of</strong> the road leading<br />

to perfection. Didymus also considers Abraham as an example <strong>of</strong> the ascent <strong>of</strong><br />

the soul which is narrated in the Psalms. Although Didymus bases himself on<br />

<strong>Philo</strong>, he does alter the conception <strong>of</strong> perfection. For <strong>Philo</strong>, to become perfect is<br />

to become wise <strong>and</strong> to acquire the virtues <strong>of</strong> the cultured sage. In Didymus the<br />

migration aims at the perfection <strong>of</strong> the Christian ascetic involved in spiritual<br />

combat. The Christian exegete uses <strong>Philo</strong>’s material in ways that are appropriate<br />

to his own circle. In addition to <strong>Philo</strong>, Didymus is also inspired by Jubilees <strong>and</strong><br />

Origen in his exegesis <strong>of</strong> Abraham. (ACG)<br />

20468. J.Leonhardt-Balzer,‘Creation,theLogos<strong>and</strong>theFoundation<br />

<strong>of</strong> a City: a Few Comments on Opif. 15–25,’ in R. Deines <strong>and</strong><br />

K.-W. Niebuhr (edd.), <strong>Philo</strong> und das Neue Testament: Wechselseitige<br />

Wahrnehmungen. 1. Internationales Symposium zum Corpus Judaeo-Hellenisticum<br />

Novi Testamenti (Eisenach/Jena, Mai 2003), Wissenschaftliche<br />

Untersuchungen zum Neuen Testament 172 (Tübingen 2004) 323–344.<br />

Thearticlepresentstheresults<strong>of</strong>aworkshopon<strong>Philo</strong>’sexegesis<strong>of</strong>‘Dayone’<strong>of</strong><br />

creation in Opif. 15–25. After a brief introduction, the passage is divided into five<br />

sections <strong>and</strong> a text, translation <strong>and</strong> commentary are presented. The translation<br />

is systematically compared with those <strong>of</strong> Whitaker (LCL) <strong>and</strong> Runia (PACS).<br />

The final part is devoted to interpretation. <strong>Philo</strong>’s use <strong>of</strong> the metaphor <strong>of</strong> the seal<br />

<strong>and</strong> the imagery <strong>of</strong> the founding <strong>of</strong> a city give rise to a number <strong>of</strong> problems.<br />

The passage in its entirety is unique in <strong>Philo</strong>’s œuvre. It is noted that §§ 21–23

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