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Philo of Alexandria - Books and Journals

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critical studies 2001 171<br />

The article is a treatment <strong>of</strong> Ambrose, Ep. 55, in which he addresses a problem<br />

that had long troubled educated readers <strong>of</strong> the Greek <strong>and</strong> Latin Bible, but came<br />

especially to the fore during the pagan-Christian cultural rivalries <strong>of</strong> the fourth<br />

century. The problem was that the biblical authors did not appear to have written<br />

their works according to principles <strong>of</strong> literary art involving rules <strong>of</strong> composition<br />

<strong>and</strong> style. In defence Ambrose puts forward the assertion that the requisites<br />

<strong>of</strong> art are in fact indicated in the biblical text. In formulating this claim he<br />

relies heavily on a section <strong>of</strong> <strong>Philo</strong>’s treatise Fug. 132–136. However, in this<br />

passage <strong>Philo</strong> is not concerned with the issue <strong>of</strong> art in the Bible. Nevertheless,<br />

although Ambrose does remove the <strong>Philo</strong>nic passage from its original context,<br />

in his own way he does return to that context. Suggestions are made as to<br />

why Ambrose took the passage in the direction that he does. These reasons<br />

have as much to do with changes in the general philosophical <strong>and</strong> religious<br />

environment in the period between the two authors as they do with specifically<br />

Christian as opposed to Jewish approaches to the divine text. (1) The tendency<br />

to concretize the abstract divine word as the written text <strong>of</strong> Scripture is a<br />

general post-<strong>Philo</strong>nic development in both Judaism <strong>and</strong> Christianity. (2) The<br />

manner in which Ambrose interprets the three-fold scheme <strong>of</strong> Fug. 133 is<br />

probably due to a late Platonic (rather than Stoic) orientation towards the<br />

concepts involved. On the other h<strong>and</strong> (1) the assumption that the ram <strong>of</strong><br />

Gen 22 typifies the Christ/Logos is based on a Christian reading <strong>of</strong> the text,<br />

<strong>and</strong> (2) the identification <strong>of</strong> the Christ/Logos with the ‘inscripted’ logos is<br />

derived from <strong>Alex<strong>and</strong>ria</strong>n Christian theology. However, the identification <strong>of</strong><br />

the λγς with the πτέλεσμα <strong>of</strong> the text is based on a tighter application <strong>of</strong><br />

<strong>Philo</strong>’s allegorization to the actual wording <strong>of</strong> the text. The implications <strong>of</strong> this<br />

identification as refined by Ambrose, although seemingly alien to the apparent<br />

context at the beginning <strong>of</strong> the letter, move in a thoroughly <strong>Philo</strong>nic direction.<br />

(DTR; based on author’s summary)<br />

20135. A.Kasher[ ], ‘ <br />

-’ [‘The Question <strong>of</strong> Equal Civic Rights for the Jews <strong>of</strong><br />

Hellenistic-Roman Diaspora’] in I. Gafni (ed.), Kehal Yisrael: Jewish Self-<br />

Rule through the Ages, Volume One: the Ancient Period (Jerusalem 2001)<br />

55–73.<br />

The article presents a convenient summary statement <strong>of</strong> the author’s ongoing<br />

research (see especially R-R 8527) into the legal status <strong>and</strong> rights <strong>of</strong> the Jewish<br />

population <strong>of</strong> the Hellenistic-Roman Diaspora. With a primary dependence on<br />

the testimony <strong>of</strong> Josephus, reinforced by references to <strong>Philo</strong>’s historical works,<br />

Kasher argues that the Jews <strong>of</strong> <strong>Alex<strong>and</strong>ria</strong> constituted a πλίτευμα,withtheright<br />

to practice their own customs <strong>and</strong> to participate in the general civic rights <strong>of</strong> all<br />

those classified as citizens. (DS)<br />

20136.U.Kellerman,‘DerDekalogindenSchriftendesFrühjudentums:<br />

ein Überblick,’ in H. Graf Reventlow (ed.), Weisheit, Ethos und

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