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Philo of Alexandria - Books and Journals

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additional items 1987–1996 419<br />

a9482. J.Bellemore,‘GaiusthePantomime,’Antichthon 28 (1994)<br />

65–79.<br />

According to the sources the emperor Gaius was fascinated by the theatre.<br />

The author first examines the evidence on his interest in pantomime <strong>and</strong> then<br />

turns to the question <strong>of</strong> transvestism <strong>and</strong> its relation to his desire for deification.<br />

<strong>Philo</strong>’s evidence in the Legat. shows inconsistencies <strong>and</strong> is clearly motivated by<br />

its propag<strong>and</strong>ist aims. Bellemore concludes that the overall analysis by <strong>Philo</strong> <strong>of</strong><br />

Gaius’ deeds <strong>and</strong> motives, which is repeated in a derivative form in Dio Cassius,<br />

must be rejected in favour <strong>of</strong> the less extreme view found in Suetonius <strong>and</strong><br />

Josephus, namely ‘that Gaius only seriously contemplated divinity towards the<br />

end <strong>of</strong> his reign <strong>and</strong> that his earlier activities can best be understood in the light<br />

<strong>of</strong> his interest in pantomime’ (p. 79). (DTR)<br />

a9483. G. Bissoli, Il tempio nella letteratura giudaica e neotestamentaria.<br />

Studio sulla corrispondenza fra tempio celeste e tempio terreste,<br />

Studium Biblicum Francescanum, Analecta 37 (Jerusalem 1994), esp.<br />

69–75.<br />

A sketch <strong>of</strong> <strong>Philo</strong>’s allegorical interpretations <strong>of</strong> the tabernacle/temple, in<br />

which the author highlights <strong>Philo</strong>’s use <strong>of</strong> the Platonic concept <strong>of</strong> the intelligible,<br />

cosmic model <strong>and</strong> briefly confronts <strong>Philo</strong>’s cosmic allegory <strong>of</strong> the temple with<br />

that <strong>of</strong> Josephus. (HMK)<br />

a9484. D.Boyarin,A Radical Jew: Paul <strong>and</strong> the Politics <strong>of</strong> Identity<br />

(Berkeley 1994), passim.<br />

Boyarin treats <strong>Philo</strong> as background for reading Paul because he finds certain<br />

explicit themes in <strong>Philo</strong> useful for underst<strong>and</strong>ing inexplicit moments in<br />

Paul’s texts. Similarities between <strong>Philo</strong> <strong>and</strong> Paul are seen as prima facie evidence<br />

for their sharing a common Hellenistic Jewish cultural koine rooted in<br />

eclectic Middle Platonism. Both <strong>Philo</strong> <strong>and</strong> Paul are motivated by the same set<br />

<strong>of</strong> problems <strong>and</strong> ideas generated by this common cultural situation. Their Platonic,<br />

allegorical reading practices are founded on a binary opposition in which<br />

meaning, as disembodied substance, exists prior to its incarnation in language.<br />

Language is the outer, physical shell <strong>and</strong> meaning the invisible, ideal, spiritual<br />

reality reached by allegory. For <strong>Philo</strong> <strong>and</strong> Paul, the human person has a hierarchical<br />

dual structure <strong>of</strong> outer body (the site <strong>of</strong> the particular) <strong>and</strong> inner spirit<br />

(the site <strong>of</strong> the universal). Theories <strong>of</strong> body <strong>and</strong> language coincide in <strong>Philo</strong> <strong>and</strong><br />

Paul. (KAF)<br />

a9485. M. Dragona-Monachou, ‘Divine Providence in the <strong>Philo</strong>sophy<br />

<strong>of</strong> the Empire,’ in W. Haase (ed.), Aufstieg und Niedergang der<br />

römischen Welt B<strong>and</strong> 36, Teilb<strong>and</strong> 7: <strong>Philo</strong>sophie (New York–Berlin 1994)<br />

4417–4490, esp. 4456–4460.

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