SCRIBAL PRACTICES AND APPROACHE S ... - Emanuel Tov
SCRIBAL PRACTICES AND APPROACHE S ... - Emanuel Tov
SCRIBAL PRACTICES AND APPROACHE S ... - Emanuel Tov
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Scribal Practices and Approaches Reflected in the Texts from the Judean Desert 153<br />
that many manuscripts derive from the Middle Ages prevents a sound analysis, but nevertheless<br />
Korpel–de Moor, Structure, 646–53 assume a ‘very ancient common tradition’ (p. 646) for all the<br />
sources analyzed by them for Isaiah 40–55. Likewise, Oesch, Petucha und Setuma, 313 assumes a<br />
common tradition for the MT and SP.<br />
(4) Division between poetical units (Psalms)<br />
In the analysis of the different types of spacing between poetical units, individual Psalms<br />
comprise special entities in that they are smaller than books and larger than verses. Each Psalm<br />
forms a separate section-like unit, the beginning and end of which are usually clearly denoted at<br />
the content level, not only in biblical Psalms, but also in other poetical units from Qumran,<br />
namely 4QNon-Canonical Psalms A–B (4Q380–381), 1–4QHoda-yot, and 4QBarkhi Nafshi. In<br />
the analysis of the layout of the biblical Psalms from Qumran, four different methods for<br />
indicating the beginnings are recognized, described as five systems by G. H. Wilson, The Editing<br />
of the Hebrew Psalter (SBLDS 76; Chico, Calif. 1985) 93–138. The indication of the Psalms and<br />
of the individual Hodayot basically corresponds with the systems of open and closed sections<br />
described in section 3 (for the various manuscripts of 4QBarkhi Nafshi insufficient data are<br />
available). Several manuscripts are inconsistent in their indication of new psalms (see below). It is<br />
unclear why different systems for the indication of new Psalms are used in the same manuscript<br />
by the same scribal hand. Content considerations, stichographic systems, or headers do not seem<br />
to have played a part, and in any event it appears that the scribal traditions had not yet been<br />
stabilized. It is noteworthy that the two late Psalm scrolls, MasPs a and 5/6H≥evPs, are<br />
consistently written in system g.<br />
a. An open section at the end of a Psalm, while the following text starts at the beginning of a<br />
new line.<br />
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This system is used in many Qumran manuscripts of the book of Psalms and of other hymnic collections: 4QPs a<br />
(before Psalms 35, 36, 67); 4QPs c (before Psalms 51 and 53); 4QPs d (before Psalm 104); 4QPs e (before Psalms 77,<br />
104, 116, 130, 146); most of the Psalms in 11QPs a (before Psalms 103 [frg. C II 11–12], 148 (II 5–6], 123 [III 14–15],<br />
125 [IV 2–3], 127 [IV 15–16], 129 [V 3–4], 119 [VI 10–11], 136 [XV 5–6], 137 [XX 16–17], in this sequence; Psalm<br />
105 (E iii 8); 11QPs c (before Psalms 13, 14 [frg. 4–7 6, 11], 18 [frg. 8 8]). See further: 1QH a II (Suk. = Puech X) 32;<br />
VIII (XVI) 4; 4QH a (4Q427) 3 3; 8 ii 10; 4QNon-Canonical Psalms B (4Q381) 24 3; 31 4.<br />
b. An indentation indicates the new Psalm, while the previous one ended either at the end of<br />
the previous line or toward the end of that line.<br />
or<br />
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This system is employed in 4QPs c (before Psalm 28 [6 4]); 4QPs d (before Psalm 147 [reconstructed]); 4QPs q (before<br />
Psalm 33); 4QPs s (before Psalm 6 [reconstructed]); 11QPs a (before Psalms 122 [III 7]; 126 [IV 9]; 145 [XVI 7]; 143<br />
[XXV 6]; 150 [XXVI 4]; 140 [XXVII 12]); 11QPs b (before Psalm 144 [7 6]); 11QPs d (before Psalm 37 [5 2]). See<br />
further: 1QH a II (Suk. = Puech X) 20; III (XI) 19; VII (XV) 6; 4QH b (4Q428) 10 11.