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SCRIBAL PRACTICES AND APPROACHE S ... - Emanuel Tov

SCRIBAL PRACTICES AND APPROACHE S ... - Emanuel Tov

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Scribal Practices and Approaches Reflected in the Texts from the Judean Desert 159<br />

4QPs o (30–1 BCE)<br />

4QPs p (probably; 30 BCE–68 CE)<br />

4QPs q (30 BCE–30 CE)<br />

4QPs r (30 BCE–68 CE)<br />

4QPs s (50–68 CE)<br />

4QPs u (probably; 50 CE)<br />

4Q522 (Psalm 122) 22–24; see É. Puech, DJD XXV and DJD XVI, 169–70 (65–30 BCE)<br />

6QpapPs? (probably; 50 CE)<br />

11QPs a (all Psalms excluding Psalm 119 which is written in a special layout; 1–50 CE)<br />

11QPs b (all Psalms excluding Psalm 119 which is written in a special layout; 30–1 BCE)<br />

11QPs c (1–50 CE)<br />

11QPs d (30–68 CE)<br />

2QJob (30 BCE–68 CE)<br />

4QJob b (50–1 BCE)<br />

4QLam (30–1 BCE)<br />

5QLam a (50 CE)<br />

11QapocrPs (11Q11; nonbiblical composition; 50–70 CE)<br />

It is difficult to ascertain whether there is any pattern behind the different ways of presenting the<br />

text of poetical units, with or without a stichographic arrangement. The problem is most acute in<br />

the Psalms scrolls since they are the largest component in the lists in TABLES 8 and 9. It cannot be<br />

determined whether the different background of the biblical texts as reflected in their textual<br />

character determined the use or non-use of stichographic systems (see the diffusion of the<br />

stichographic systems represented in the chart in APPENDIX 8). There is also no clear<br />

chronological distinction between the different types of arrangement (see the dates provided in<br />

TABLES 8 and 9), although among the texts presented in TABLE 8 there are more early scrolls than<br />

among the texts recorded in TABLE 9 (see, however, 4QExod d ). This observation could lead to the<br />

view that at the outset a stichographic arrangement was the rule, and that subsequently this<br />

layout was often abandoned. This assumption could tally with the general rule in the somewhat<br />

later rabbinic literature of presenting only a few units in this way: the lists of the kings of Canaan<br />

(Josh 12:9-24) and the sons of Haman (Esth 9:6-9) as well as three Songs (Exod 15:1-18,<br />

Deuteronomy 32, and Judg 5:2-30) in the prose books of the Bible, but not the Psalms (see<br />

below).<br />

The distinction between the stichographically written poetical units and the poetical units<br />

written as prose is unclear, and possibly we need to approach the issue from a different angle.<br />

Since the special layout of poetical units among the Judean Desert texts occurs almost exclusively<br />

in biblical texts, it would be natural to assume that the texts which do not reflect such a layout,<br />

especially the Psalms scrolls, are not Scripture in the regular sense of the word. Rather, they<br />

served another purpose, such as that of a liturgical collection. This suggestion was raised<br />

hesitantly by Oesch, “Textgliederung,” 317 who suggested that the parameters of the graphic<br />

presentation of the Qumran texts were determined by the purpose for which the compositions<br />

were written.<br />

However, it is unclear whether this claim can be made for all the Psalm scrolls mentioned<br />

above. If the prose arrangement of the biblical Psalms in Psalms scrolls together with liturgical<br />

additions in some collections (especially 11QPs a ) is an indication of their use in religious<br />

gatherings, several such collections are indeed fully or partly arranged stichographically (TABLE<br />

8), but others are not (TABLE 9).<br />

Consequently, it is possible that a reverse logic should be applied. Since Psalm 119 is always<br />

arranged stichographically and is part of the later Jewish liturgy, it is possible that stichographic

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