SCRIBAL PRACTICES AND APPROACHE S ... - Emanuel Tov
SCRIBAL PRACTICES AND APPROACHE S ... - Emanuel Tov
SCRIBAL PRACTICES AND APPROACHE S ... - Emanuel Tov
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Scribal Practices and Approaches Reflected in the Texts from the Judean Desert 19<br />
In the Judean Desert texts, a special arrangement of poetical units is known almost exclusively for<br />
biblical texts (including Ben Sira [2QSir and MasSir]) with only a few such layouts occurring in<br />
the nonbiblical poetical compositions. Thirty texts were written completely or partially in a<br />
special layout, while twenty-seven other scrolls of the same biblical books were written without a<br />
stichographic arrangement; for details, see ch. 5b. It is difficult to ascertain whether the use or nonuse<br />
of a special layout follows a pattern, and to what extent the choice was a result of the personal<br />
preference of the scribe.<br />
By the same token, different layouts are recognized for the writing of calendrical texts (see the<br />
beginning of ch. 5b).<br />
(10) Orthography<br />
While orthography was determined to a large extent by tradition and the guidance of scribal<br />
schools, at least within the scribal school that was active at Qumran and other places personal<br />
preferences of scribes are clearly visible when the practices of specific scrolls and scribes are<br />
compared. Thus the differences in orthography between scribes A and B of 1QIsa a and A and C of<br />
1QH a are clearly recognizable (see TABLE 1).<br />
(11) Employment of number signs<br />
Several documentary and literary texts present numerals with the Aramaic numeral signs. In<br />
parallel copies of the same text, the individuality of the scribes (or different scribal habits?) can<br />
easily be seen. Some scribes use number signs, while others write the numbers in full. See ch. 5c9.<br />
(12) Writing of the Tetragrammaton<br />
While most scribes of the Qumran texts presented the Tetragrammaton in the square script,<br />
twenty-eight (twenty-nine?) texts written in the Qumran scribal practice used the paleo-Hebrew<br />
script for this purpose. Differing practices were in vogue even within that scribal environment as<br />
thirty-five texts written in the Qumran scribal practice employed the square script (contrast the<br />
data in ch. 6 TABLE 1 with TABLE 2).<br />
e. Identification of scribal hands<br />
With the aid of paleographical analysis different scribal hands can be identified within the same<br />
documents, although scholars often disagree on key issues (see below on 1QIsaa ). For example, the<br />
identification of scribal hands is also crucial in the case of three fragments ascribed to different<br />
scrolls in <strong>Tov</strong>, “The Jeremiah Scrolls from Qumran,” RevQ 14 (1989) 189–206, and now named<br />
4QJerb , 4QJerd , and 4QJere . These fragments had previously been assigned to the same scroll<br />
(then named 4QJerb ).<br />
Several Judean Desert scrolls were written by more than one scribe. Seven of the nine<br />
examples of Hebrew scrolls written by more than one scribe which are mentioned in TABLE 1<br />
pertain to texts written in the Qumran scribal practice, a fact which may further strengthen the<br />
idea of a Qumran scribal practice (ch. 8a).<br />
For long scrolls especially, it is difficult to ascertain how many were written by more than one<br />
scribe. The usual procedure was probably that each scroll, long or short, was written by a single<br />
scribe, with the involvement of more than one scribe being the exception rather than the rule.<br />
1QIsaa , a long scroll, was written by two scribes, as was 4QApocryphal Psalm and Prayer<br />
(4Q448; illustr. 11), 11 a very small scroll. Changes of hand in the middle of the text are recognizable