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196/<br />

Eugenia<br />

Gortchakova (Germany)<br />

curator Ottica TV<br />

co-curators Paul Malone<br />

_<br />

Born in 1950 in Kirov, Russia. Lives and works in Oldenburg, Germany.<br />

Education: 1967-82 Philology- and Arthistory-Studies at State-University Moscow;<br />

1991-92 Atelier in Paris; 1992 Atelier at Oldenburg.<br />

www.kuenstlerinnenverband.de/kunst/gortchakova<br />

SELECTED EXHIBITIONS:<br />

2010 Kuenstlerhaus Vienna (solo); Film-Festival Chanty Mansisk; Festival<br />

Traverse Video, Goethe-Institut, Toulouse, FR (group) / 2009 Wrubel-Art-Museum<br />

Omsk (solo); Town- Museum Györ (solo) / Markers VII-Project, Galleria Scalamata,<br />

Venice, IT; Gallery Sandmann, Berlin, DE; Triannials/Biannials: London, Novosibirsk,<br />

Krakau, Katowice, Györ, Alexandria, Bitola, Evora, Istambul, Edinburgh, Bonn /<br />

2008 Karl Jaspers,University Oldenburg; Contemporary Art Ruhr 08, Essen;<br />

„Urban Jealousy“ Biennial of Tehran (all group); Gallery GAD Berlin, DE (solo) /<br />

2007 Galeria Zejscie Krakow; BWA Olsztyn, PL (all solo); Gyeongnam International<br />

Art Festival; Korea, KR; Markers’ VI, Venezia; Kassel; New York; 14th Tallinn Print<br />

Triennial, (group) / 2006 Gallery Salustowicz, Bielefeld; M’ARS Gallery, Moscow,<br />

RU (all solo) / Videofestival, Novosibirsk; Triennial Kraków, PL (group) /<br />

2005 Museum Cloppenburg (solo) / Pols apart Poles together Markers’ V, 51.<br />

Biennale Venice; Hercules-Festival, Lenox Gallery, London, UK; „Kunstfrühling“<br />

Towngallery Bremen (group)<br />

Projects as curator: 2010 „REVERSE“ Omsk Art museum / 2009 „Genius loci“<br />

Novosibirsk Art museum / 2008 „Crossroads. Nomadic knowledge and art<br />

strategies“ Bishkek Art Center / 2006 „Translations from Russian“ M’ARS Center,<br />

Moskau, „ANIGMA“ Artmuseum Novosibirsk<br />

The video is based on the intensive correspondence between two philosophers<br />

– Karl Jaspers and Hannah Arendt. The Theme is Time. It transforms the correspondence<br />

into a rhythmic sequence of short cuts from scenes of New York, where Hannah Arendt<br />

lived and her teacher- friend has never been, because of his illness. Hannah Arendt<br />

has brought the world to him – wrote Jaspers. New York is recognisable in the moments<br />

of communication – the main idea of existence-Philosophy. The hard cuts correspond<br />

to the quick change of impressions and the flow of time in the world Metropolis.<br />

The Video is like a report about today’s New York.<br />

The material is shot in New York. The cuts are determined by the rhythm<br />

of the correspondence - a pattern created by the posting of 403 letters between<br />

New York and Basel. The panoramas (1 sec.) represent the writing of a letter.<br />

The length of the scenes corresponds to the intervals between the letters (1 day – 0,1’).<br />

In this way New York will be recognizable only in the moment of communication<br />

– one of the central terms of the existence philosophy of Jaspers and Arendt.<br />

The length of the 10 chapters corresponds to the intervals between the meetings<br />

during H.A. visits to Europe.<br />

><br />

Free like a leaf in the wind, 2009<br />

8204 days of correspondence between Hannah Arendt and Karl Jaspers, video 15’05’’

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