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206/<br />

Paul<br />

Malone<br />

(UK)<br />

curator Ottica TV<br />

co-curators Paul Malone<br />

_<br />

Born in 1953 in Warrington, Great Britain.<br />

Education: Fine Art at Reading University for B.A. Degree (1976)<br />

and MFA in Sculpture at the Royal College of Art (1980).<br />

www.a2arts.co.uk/malone<br />

SELECTED EXHIBITIONS:<br />

2010 DériveLab 2, Centre for Creative Collaboration, 16 Acton St., London,<br />

UK (group) / Heterotopia Provocations, Stamford Works, London, UK (group) /<br />

The Synaptic Sun, SITE Santa Fe Biennale, 1606 Paseo de PeraltaSanta Fe,<br />

New Mexico, US / 2009 Aphrodite Urania’. Screening, Whitechapel Art Gallery,<br />

London, UK / Anastrophic Monday, Streaming Festival, Amsterdam, NL /<br />

Art of the Night Sky, Bankside Electric Universe event. Bankside Centre,<br />

London SE1 / Souvenir, Scala Mata Gallery. Venice Biennale Collaterali, IT /<br />

2008 Perpetuum Mobile, APT Gallery, London, UK (group) /<br />

2007 Objects – Rooms, Galleria Grounds Art, Parma, IT, NL, UK (group)<br />

Terminus is about the end of the line and a new adventure...<br />

This movie introduces a sequence of encounters between<br />

walls, destruction and the 00 scale model railway environment.<br />

The movie starts and ends with a scene of peaceful devastation,<br />

populated by the random entrance and exit of its avian<br />

inhabitants. In the central developmental section, the movie<br />

migrates to the interior of a vacant gallery space.<br />

Projected onto the walls are a series of movie clips of walls<br />

and tunnels dissolving into daylight. This sequence is re-viewed<br />

from the aspect of a camera mounted on a model train,<br />

as it twists and turns across the floor. This ‘dream’ sequence<br />

is augmented by the appearance of a pair of giant feet that<br />

proceed to engage in pursuit.<br />

My movies are a new departure and fall mainly into two groups.<br />

Firstly are those art projects where I am enjoying exploring<br />

the potential of my mini camera, taking footage from in amongst<br />

the urban environment, the geology of seashores, and around<br />

my studio on a model railway ‚micro-dolly’. Sourcing from this<br />

footage, I am also compiling narratives that weave my interests<br />

in alternative astronomy into journeys through strange and<br />

unfamiliar perceptual landscapes.<br />

I also have a particular interest in the writings of Julian Jaynes,<br />

in the hallucinogenic transfer of temporal lobe metaphorical<br />

traffic, and the generation and development of consciousness<br />

in the historical movement away from bicameral modes of thought.<br />

Paul Malone

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