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206/<br />
Paul<br />
Malone<br />
(UK)<br />
curator Ottica TV<br />
co-curators Paul Malone<br />
_<br />
Born in 1953 in Warrington, Great Britain.<br />
Education: Fine Art at Reading University for B.A. Degree (1976)<br />
and MFA in Sculpture at the Royal College of Art (1980).<br />
www.a2arts.co.uk/malone<br />
SELECTED EXHIBITIONS:<br />
2010 DériveLab 2, Centre for Creative Collaboration, 16 Acton St., London,<br />
UK (group) / Heterotopia Provocations, Stamford Works, London, UK (group) /<br />
The Synaptic Sun, SITE Santa Fe Biennale, 1606 Paseo de PeraltaSanta Fe,<br />
New Mexico, US / 2009 Aphrodite Urania’. Screening, Whitechapel Art Gallery,<br />
London, UK / Anastrophic Monday, Streaming Festival, Amsterdam, NL /<br />
Art of the Night Sky, Bankside Electric Universe event. Bankside Centre,<br />
London SE1 / Souvenir, Scala Mata Gallery. Venice Biennale Collaterali, IT /<br />
2008 Perpetuum Mobile, APT Gallery, London, UK (group) /<br />
2007 Objects – Rooms, Galleria Grounds Art, Parma, IT, NL, UK (group)<br />
Terminus is about the end of the line and a new adventure...<br />
This movie introduces a sequence of encounters between<br />
walls, destruction and the 00 scale model railway environment.<br />
The movie starts and ends with a scene of peaceful devastation,<br />
populated by the random entrance and exit of its avian<br />
inhabitants. In the central developmental section, the movie<br />
migrates to the interior of a vacant gallery space.<br />
Projected onto the walls are a series of movie clips of walls<br />
and tunnels dissolving into daylight. This sequence is re-viewed<br />
from the aspect of a camera mounted on a model train,<br />
as it twists and turns across the floor. This ‘dream’ sequence<br />
is augmented by the appearance of a pair of giant feet that<br />
proceed to engage in pursuit.<br />
My movies are a new departure and fall mainly into two groups.<br />
Firstly are those art projects where I am enjoying exploring<br />
the potential of my mini camera, taking footage from in amongst<br />
the urban environment, the geology of seashores, and around<br />
my studio on a model railway ‚micro-dolly’. Sourcing from this<br />
footage, I am also compiling narratives that weave my interests<br />
in alternative astronomy into journeys through strange and<br />
unfamiliar perceptual landscapes.<br />
I also have a particular interest in the writings of Julian Jaynes,<br />
in the hallucinogenic transfer of temporal lobe metaphorical<br />
traffic, and the generation and development of consciousness<br />
in the historical movement away from bicameral modes of thought.<br />
Paul Malone