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204/<br />

Olga<br />

(Russia, UK)<br />

Koroleva<br />

curator Ottica TV<br />

co-curators Paul Malone<br />

_<br />

Olga Koroleva was born in 1987 in Tula, Russia. Since 2004 she has been living<br />

and working in London. In 2006 she completed a Foundation Diploma in Fine Art<br />

Media at Chelsea College of Art and Design with a distinction. In 2010 she gained<br />

her BA in Fine Art Time Based Media from Wimbledon College of Art. In June 2010<br />

she received the Landmark Art Prize for her recent work. Her work has been shown<br />

across a variety of platforms in the UK and Europe. She works across a variety<br />

of media including writing, photography, video and sound.<br />

www.olgakoroleva.com<br />

SELECTED EXHIBITIONS:<br />

2010 Winterstory, Tranquila, Tel Aviv, IL / Act’n Go, Jerusalem, IL / Winterstory,<br />

L’Atelier, Tel Aviv, IL / Inside the Box, Troubadour Gallery, Earls Court, London, UK /<br />

Degree Show Preview, Wimbledon Space, Wimbledon, UK / 2009 Waiting Room,<br />

Platform 1 Gallery, Wandsworth Common, UK (solo) / Q-Art Presents, APT Gallery,<br />

London, UK / Recycled Frequencies, Wolstenholme Projects, Liverpool, UK /<br />

2008 Reflections of Choice, Camberwell Arts Festival, London, UK /<br />

Traversion. The Very Good Room, Shoreditch, London, UK<br />

My practice is concerned with the subtle margins existing between fact and fiction,<br />

theatrical and mundane, spontaneous and directed, and refer to everyday life as much<br />

as they do to theatre and film theory. The margins can be interpreted literally, referring<br />

to a margin as a physical border between countries, cities or buildings, or metaphorically<br />

referring to prejudice that exists within our contemporary social mind.<br />

Unbelievable is a series of video and photo works that originate from a recent trip<br />

to Israel. The video is based on true stories of a life-long resident of Jerusalem, bearing<br />

documentary value. The photographs, however, were selected for their unreal visual<br />

quality. A bus stop is a place of arrival and departure and of constant movement.<br />

This alludes not only to physical movement, but also social and political change.<br />

It can be interpreted as specific to this country as well as extended to the issues<br />

of global movement.<br />

Olga Koroleva

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