PoznaÅ
PoznaÅ
PoznaÅ
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
204/<br />
Olga<br />
(Russia, UK)<br />
Koroleva<br />
curator Ottica TV<br />
co-curators Paul Malone<br />
_<br />
Olga Koroleva was born in 1987 in Tula, Russia. Since 2004 she has been living<br />
and working in London. In 2006 she completed a Foundation Diploma in Fine Art<br />
Media at Chelsea College of Art and Design with a distinction. In 2010 she gained<br />
her BA in Fine Art Time Based Media from Wimbledon College of Art. In June 2010<br />
she received the Landmark Art Prize for her recent work. Her work has been shown<br />
across a variety of platforms in the UK and Europe. She works across a variety<br />
of media including writing, photography, video and sound.<br />
www.olgakoroleva.com<br />
SELECTED EXHIBITIONS:<br />
2010 Winterstory, Tranquila, Tel Aviv, IL / Act’n Go, Jerusalem, IL / Winterstory,<br />
L’Atelier, Tel Aviv, IL / Inside the Box, Troubadour Gallery, Earls Court, London, UK /<br />
Degree Show Preview, Wimbledon Space, Wimbledon, UK / 2009 Waiting Room,<br />
Platform 1 Gallery, Wandsworth Common, UK (solo) / Q-Art Presents, APT Gallery,<br />
London, UK / Recycled Frequencies, Wolstenholme Projects, Liverpool, UK /<br />
2008 Reflections of Choice, Camberwell Arts Festival, London, UK /<br />
Traversion. The Very Good Room, Shoreditch, London, UK<br />
My practice is concerned with the subtle margins existing between fact and fiction,<br />
theatrical and mundane, spontaneous and directed, and refer to everyday life as much<br />
as they do to theatre and film theory. The margins can be interpreted literally, referring<br />
to a margin as a physical border between countries, cities or buildings, or metaphorically<br />
referring to prejudice that exists within our contemporary social mind.<br />
Unbelievable is a series of video and photo works that originate from a recent trip<br />
to Israel. The video is based on true stories of a life-long resident of Jerusalem, bearing<br />
documentary value. The photographs, however, were selected for their unreal visual<br />
quality. A bus stop is a place of arrival and departure and of constant movement.<br />
This alludes not only to physical movement, but also social and political change.<br />
It can be interpreted as specific to this country as well as extended to the issues<br />
of global movement.<br />
Olga Koroleva